The Closer You Are, The Channels (1956)Despite numerous recordings, The Channels never had a nationwide hit due to lack of promotion, but they were popular on the east coast. The Closer You Are was a regional hit in New York and was covered by Frank Zappa in 1984.
Right Around The Corner, The “5” Royales (1956)The Royal Sons Quintet, aka The Royals, aka The “5” Royales were a gospel group that made the crossover to R&B and laid the foundation for what would later be called Soul Music. Active during the years 1951 through 1965, they were inducted into the Rock and Roll Hall of Fame in 2015.
Funny,Joe Hinton (1964)First recorded by country singer Billy Walker in 1961, Joe Hinton’s version made No. 13 on Billboard’s Top 100, No. 1 on Cash Box Magazine’s R&B list, and was one of Willie Nelson’s first hits as songwriter. The title Funny How Time Slips Away was shortened on the record label. Hinton succumbed to skin cancer in 1968 at the age of 38.
I Can See Everybody’s Baby, Ruth Brown & Her Rhythmakers (1955)Ruth Brown was known as “Miss Rhythm” and “The Queen of R&B,” while Atlantic Records was called “The House That Ruth Built.” The Rhythmakers [sic] provided backup vocals and were better known as The Drifters.
Brown recorded many hits from 1949-1955, and faded from public view in the ’60s to become a housewife and mother. She returned to music in 1975 at the urging of Redd Foxx.
Bop Cat Stomp, King Charles & His Orchestra (1954)Except for discography and a few audio recordings on YouTube, I can find almost nothing about Charles Morris (aka King Charles, Blue Charlie Morris, Left Hand Charlie and Morris Charles). If anyone has a link to his background, please leave a comment and I’ll update this post.
Billy Ireland & the KKK. Good stuff (despite some unnecessary extraneous commentary). Nice collection of Ireland’s work here.
Misc. – Still trying to bitchslap the new WP format into something tolerable. It’s almost there, I’m still messing with the unpredictable, and I’m not responsible for the overuse of white space. – Bunk
[Top image found here with the caption: “A female pit brow worker, the photograph was probably taken at the Wigan Coal and Iron Co Ltd.”]
He’s Gone, The Chantels (1957)One of the first R&B “girl groups” to hit the charts, the Chantels were Arlene Smith. Sonia Goring, Lois Harris, Jackie Jackson and Rene Minus, all schoolmates from the Bronx. They had been singing together since 1950 and honed their harmonies practicing hymns (and Gregorian chants). In 1957 they scored their first hit with He’s Gone, written by lead singer Arlene Smith.
Drop That Sack, Papa Charlie Jackson (1925)Papa Charlie Jackson (1887-1938) provided a bridge between ragtime and blues, and has the distinction of being one of the creators of “Hokum” – songs filled with sexual euphemisms and innuendo (Drop That Sack is one). Among his 66 recordings are several in which he accompanied classic female blues singers, such as Ma Rainey, Ida Cox and Hattie McDaniel (yes, THAT Hattie McDaniel).
Shine, StéphaneGrappelli (1990)“The grandfather of jazz violinists,” StéphaneGrappelli (1908-1997) continued playing concerts around the world well into his eighties. The jazz standard Shine dates to 1910, and the lyrics are about racism.
[Top image: “Each Finger Pointed Towards The Open Way In Front” – Illustration by John Augustus Knapp, from John Uri Lloyd’s Etidorhpa (1895). “Etidorhpa” is the backward spelling of the name “Aphrodite.”]
No More Doggin’, Roscoe Gordon (1952)One of the original Memphis “Beale Streeters,” Roscoe Gordan‘s breakout hit Booted made No. 1 on the R&B singles charts in 1952; No More Doggin‘ made No. 2 the same year. Gordon (and Fats Domino) influenced Jamaican pianist Theophilus Beckford, and Gordon’s back-beat style is credited as the foundation of Jamaican ska, bluebeat (Jamaican R&B) and reggae.