Acoustic Alchemy, led by Greg Carmichael and Miles Gilderdale on guitars, Fred White/keyboard, Greg Grainger/drums and Gary Grainger/bass, Kuumbwa Jazz Center in Santa Cruz, CA.
Looks like that’ll do for this edition of The Saturday Matinee. Have a great weekend.
Red Nichols, Pete Candoli & Al Hirt playing “Hot Lips.”
If that video wasn’t so entirely bitchin’ we’d never have posted it – Every decent link on the U-Toobage we found had “embedding disabled.” Some anusbrain copyright jerks don’t understand the concept of free advertisement. Let’s move on.
Scott Biram is a one-man ass-kickin’ rock machine.
Here’s some fun etymology: In Japanese American slang, a “Buddahead” used to mean a Japanese American from Hawaii (h/t Osprey 1) and “Mumbo Jumbo” (Mandingo, West African in origin) was a bugbear who appeared at night to resolve marital disputes. Mumbo Jumbo was not nice. He’d beat the crap out of wives who disobeyed their husbands.
Let’s lighten it up a bit. Here’s Leon Redbone, one of the few folks I can think of (besides you, of course) who is welcome at my doorstep any time.
That’s it for this episode of The Saturday Matinee. Have a great weekend and be back tomorrow for more nonsensical oddities.
Grace Potter and The Nocturnals performing “Treat Me Right” at the 8×10 in Baltimore, MD on September, 14 2006. They pretty much nailed the Big Brother & The Holding Company sound.
So here is Janis Joplin with BB & The HC “Summmertime / I need a man to Love” at the Holllywood Palace Oct. 26 1968.
BB King, Stevie Ray Vaughan & Etta James at the Ebony Showcase Theatre Los Angeles, 15 April 1987, with The Wicked Wilson Pickett‘s “Midnight Hour.” (Check out the amazing background of Nick Stewart, founder of the EST linked above.)
Great way to wrap up this edition of The Saturday Matinee. Have a great weekend folks, see you back here tomorrow.
When a giant tortoise attacks. Warning – Not for the squeamish.
Building demolition time lapse. Warning – Not for the squeamish.
Routine traffic stop goes bad. Warning – not for the squeamish.
Cup stacking otter. Warning – Not for the squeamish. [via Jonco.]
Great compilation of pranks from around the world.
WARNING – DEFINITELY NOT FOR THE SQUEAMISH.
Eventually we’ll get around to posting vids just for The Squeamish, but until then, have a great weekend folks. See you back here tomorrow, assuming you’re not squeamish.
Neil Armstrong’s “That’s one small step for man…” could be translated “Un petit pas pour l’homme,” and the title of the film is “Un petit plat pour l’homme” can be translated as “One Small Dish For Man”
3rd year animation project (assigned subject “Kitchen”) from Charron/Onectin via email. Very cool.
Eric Whitacre‘s Virtual Choir 3 is awesome and kinda creepy at the same time.
His call for the Virtual Choir 3.0, which included a purpose-built website to make video collection easier and more uniform, set a new record. It included 3476 videos from 76 different nations, including one from Vanuatu. That is the video you see above.
Buster Keaton’s 1926 comedy The General is based on a real event. In April 1862 a group of Union volunteers hijacked a Confederate train in Georgia and led the rebels on an 88-mile, six-hour chase through the state, tearing up tracks and cutting telegraph lines as they went and releasing cars behind them to slow their pursuers. The conspirators ran out of fuel just short of Chattanooga, their goal, but the Union awarded a Medal of Honor to most of them for the exploit.
…
“I was more proud of that picture than any I ever made,” Keaton said in 1963. “Because I took an actual happening out of the … history books, and I told the story in detail, too.”
600 lbs vs 169 lbs. in a match from 1998 – 431 lbs. was apparently the greatest weight differential in MMA history. Place your bets, then hit play. [h/t garycooper]
Great animation and concept, despite the not-so-subtle message. PG13 for language & violence. [h/t Internet Septic Tank Engineer]
UPDATE – Here’s the background from Wiki:
Logorama is a 16-minute French animated film written and directed by H5/ François Alaux, Hervé de Crécy and Ludovic Houplain, and produced by Autour de Minuit. The film depicts events in a stylized Los Angeles, and is told entirely through the use of more than 2,500 contemporary and historical logos and mascots.
Brother Phelps from 1995, with “Any Way The Wind Blows.” Naming the band after their Minister father, brothers Rickie Lee and Doug Phelps previously recorded with The Kentucky Headhunters.