The Mom Motel

Hubba hubba! Boys, take your pick. I’m going for Mrs. Jones.

[Found here.]

Something Happened.

[Found here.]

Saturday Matinee – Redwood Logging in 1946, Maxim Zhestkov, The Count Five, The Cramps, Tom Petty & The Heartbreakers

Redwood logging in 1946. Dangerous work. [Found here.]

Hypnotizing art “installations.”

Maxim Zhestkov (b.1985, Russia) is a media artist and director whose practice centres around the influence of digital media on shifting the boundaries of visual language.

He grew up in a small town on the Volga river named Ulyanovsk. From childhood, Maxim was fascinated by art, physics and computers which led him to university, where he studied architecture and fine art.

I’m kinda in an odd mood, change of the seasons, sun angles and all, so let’s roll with it.

“Psychotic Reaction” by The Count Five, peaked at No. 5 in 1966 on the Billboard Hot 100. Classic garage band / early psychedelic rock. Since then it’s been covered by a number of indy/punk/rock bands, including this one by The Cramps in 1983:

Meh. I can do without that, but this one’s not too bad:

Tom Petty & The Heartbreakers probably did the best cover of ‘”Psychotic Reaction” in 1991, preserved the soul of the original.
The intro is cool, song starts at 2:20.

Have a great weekend, folks. Be back here tomorrow for more stuff and stuff.

Saturday Matinee – Dampfmaschine, I’m OK, Jimmie Vaughan & Booker T. Jones

Dampfmaschine is awesome.

I’m OK is a cool animation with an interesting historical background, found here.

Jimmie Vaughan has been overlooked for way too long IMO.

Here’s a bonus: Jimmie Vaughan filling in for Steve Cropper with Booker T. Jones:

Have a great weekend, folks. We’ll be back here tomorrow for more cool stuff.

I Want this TV Ten Years From Now.

A television screen is inset into an avant-garde cabinet for canned music called the “Kuba Komet” at the Radio and Television Exhibition in Frankfurt, West Germany, Aug. 5, 1957. As well as the television set, the Komet houses a radio, a record player and a tape recorder. The upper part of the assembly swings on a vertical axis to face any direction.

[Image and caption found here.]

Saturday Matinee – Worms Eat A Pumpkin, Double-Dutch Speed Rope, Loggins & Messina, A.J. Primeaux & The Bayou Bros. & Kim Wilson

Worms ate a pumpkin in only 5 months [via].

I lost the link where I found this one, but it’s awesome.

While I was stuck in traffic yesterday, Seb Gorka went to a commercial break, so I flipped to an AM oldies station and heard this:

I don’t think I’ve heard that song since high school.

The Midnight Special” was hosted by one of the greatest west coast DJs ever, Wolfman Jack. So where do we go from there? SOUTH!

AJ Primeaux & The Bayou Bros. are the real deal.

AJ Primeaux – vocals, harmonica
Bobby Broussard – guitar
Doug Nicko – drums
Zydeco Joe – washboard

Dude sounds like Kim Wilson. Almost.

Have a great weekend, folks, and we’ll have more stuff tomorrow.

Joseph W. Grimes Rides The Cleveland Bicycle

[Found here.]

Saturday Matinee – A Catfish, Banana Shorts, Steven Wright, Ten Years After & Edgar Winter

“We be eatin’ good tonight.” [Found here.]

Multi-tasking Bananas found here.

“I saw a sign that said, ‘NEXT REST AREA 25 MILES.’ I said, “That’s pretty big.”

Steven Wright was/is/will be pure awesome, and your pastor never has to block Wright’s commentaries from his 12 year old daughter either. Heavy duty clean comedy.

Ten Years After was (is) one of my favorite blues-rock bands before I knew what blues-rock was. Those English whiteboys played it nasty.

Next up is Edgar Winter, one of the whitest of the white boys, playing one of the biggest instrumental rock hits ever. Personally I liked his brother Johnny‘s stuff better, but so what.
Now about Rick Derringer


Okay, I’m going to roll the dice and ask you loyal followers an honest question. What was your favorite song / band when you were 20 years old? Leave your answers in the comments below. I’ll try not to cringe.


Have a great weekend, folks, and we’ll do more stuff tomorrow.

John Harrison’s Contribution To The World

Self-taught John Harrison spent 43 years overcoming engineering challenges to develop the first marine chronometer. Harrison won a British competition to resolve deep sea navigation problems, but it took him several years to win the full prize.

In 1714, the British government offered a longitude prize for a method of determining longitude at sea, with the awards ranging from £10,000 to £20,000 (£2 million to £4 million in 2019 terms) depending on accuracy. John Harrison, a Yorkshire carpenter, submitted a project in 1730, and in 1735 completed a clock based on a pair of counter-oscillating weighted beams connected by springs whose motion was not influenced by gravity or the motion of a ship. His first two sea timepieces H1 and H2 (completed in 1741) used this system, but he realized that they had a fundamental sensitivity to centrifugal force, which meant that they could never be accurate enough at sea. Construction of his third machine, designated H3, in 1759 included novel circular balances and the invention of the bi-metallic strip and caged roller bearings, inventions which are still widely used. However, H3’s circular balances still proved too inaccurate and he eventually abandoned the large machines.

Harrison solved the precision problems with his much smaller H4 chronometer design in 1761. H4 looked much like a large five-inch (12 cm) diameter pocket watch. In 1761, Harrison submitted H4 for the £20,000 longitude prize. His design used a fast-beating balance wheel controlled by a temperature-compensated spiral spring. These features remained in use until stable electronic oscillators allowed very accurate portable timepieces to be made at affordable cost.

£20,000 in 1714 = ±£3,837,000 in 2018 = ±$4,733,000 USD.

$110k/year is not a bad payoff for a 45 year-long side project. Harrison began as a 21 year-old, and was 66 when he resolved the problem and received the full amount of the prize. He died 17 years later in 1776.

[Image and story here & here.]

Saturday Matinee – The Sounds Of Water & Beer, Chick Music, Ten Years After & Robbie Robertson

Just in time for Oktoberfest. [h/t Nancy H.]

I’m speechless. I hope Archie McPhee got some royalty bucks from this one [via].

Ten Years After was one of my favorite blues-rock bands before I even knew what blues-rock was. Alvin Lee was killer.

Yeah. This. I never quite knew what the song meant, but I still like it [found here.].

Have a great weekend, folks, beware of liars, & we’ll see you back here tomorrow for stuff.