…be sure to watch this, especially if you’re squeamish. [via]
Apparently this was from a French 1963 remake of a 1914 film about a crime fighter who wears masks. [Found here.]
Ruin is an animated action short film set “way in the future” in a green post-apocalyptic universe. Directed by Wes Ball, who has been working in Hollywood for 8 years doing graphic work for HBO and DVD/Blu-ray featureetes. Described as his “passion project”, Ball has been working on Ruin off and on for the last two years.
This last one made me wanna puke, too, and I’d rather overwork a slinky, eat a giant wood grub, don a cockatiel head and ride the Road to Ruin than hear that again. Have a great weekend folks. See you back here tomorrow for palate cleansers.
Tommy Makem & Liam Clancy singing “Mary Mack” at National Stadium, Dublin, February 1977.
The Fenians‘ “Token Whiskey Song.” We followed Terry Casey & Co. back when they were the house band at The Harp. Good peeps, all of ’em. (Their version of “Rattlin’ Bog” is one of my favorites because they added some verses.)
Gaelic Storm‘s Patrick Murphy tells the tale leading up to the classic Irish traditional song “The Night I Punched Russell Crowe In The Head.”
What’s St. Patrick’s Day without a Pogues vid? Dare you to figure out what Shane McGowan is, um, singing.
That should keep you set for a bit while I dodge out for some Harp Lager and Mulligan Stew. Have a great St. Patrick’s Day, see you back here first thing Sunday.
The Persuasions are one of the best a capella groups ever. Frank Zappa referred to bassman Jimmy “Bro” Hayes as “The Human Sub-Woofer.” (The Persuasion’s tribute to Zappa Frankly A Cappella is excellent, btw.)
And I’m out of time for tonight, so have a great weekend folks. See you tomorrow.
We had to watch that in junior high school. We all snickered to ourselves and laughed out loud afterwards. Once school let out, we went trolling anyway:
“Hello, Mrs. Jenkins? This is Bob from Hi-Times Liquor. Your husband left his wallet and motel key on the counter.”
“You Asked For It” was an early television show that pulled in viewers by asking for requests. This one shows some old carnival gaffes, some of which are still employed.
Bob Kuban & The In-Men had their one hit in 1966 with “The Cheater” and the song fits. (Irony note: Kuban was killed by his wife’s boyfriend in 1983.) I couldn’t find a live version, but this works.
I don’t usually post two in a row from the same musician, but here’s Mean Mary and husband brother Frank James with “Joy,” an original song she wrote (with snippets from “Ode To Joy”).
The great Sam Chatmon plays Big Road Blues, That’s All Right & Sam’s Rag.
Boyd Rivers at the Mississippi Blues Festival 1980, introduced by Willie Dixon.
Ah, bullpoop. They’re not the greatest guitar players ever, but this is pretty good. Larry Carlton & Robben Ford jam the blues 2007.
That should do you folks for a while. Have a great weekend, see you tomorrow.
[Correction: Frank James is Mean Mary’s brother, not her husband. h/t Steven Brooke.]
Etta James passed away on 20 January 2012, and there aren’t many live vids out there on the Utoobage (this one’s from 1962). She was tough on the eyes, but gorgeous on the ears.
We also lost the great Johnny Otis on 17 January. Although I never saw The Johnny Otis Show on television, his 1990s radio show was great, playing old R&B and early R&R. (I spoke with him on the phone once about some trivia about The Contours.)
So here are The Contours live in 1963. I love early R&B, so we might as well continue with that theme.
Ruth Brown recorded “(Mama) He Treats Your Daughter Mean” in 1953, and it’s a great example of “jump blues” that morphed, terminology-wise from “Race Records” into “Rhythm and Blues” and later into “Rock and Roll.”
According to the late Eubie Blake, the phrase “Rock and Roll” originated in the late 1800s. It described a ragtime piano style that kept the patrons of brothels moving along. (Even the name “ragtime” is bawdy, and you can connect the dots for yourselves.)
Jump Blues. From the Utoobage description:
Illinois Jacquet and his band in the “Jive Crazy” scene from the 1949 noir movie “D.O.A.” — at least, according to the movie publicity.
So that might not be Illinois Jacquet’s band, but it’s still a great scene. And that makes five jumpy and jivey vids for the Saturday Matinee. Have a great weekend folks.