Saturday Matinee – Giant Isopods, Claymation, The Swamp, Jolly Boys, Lady Day & Satchmo

Giant Isopods! Yay! [via]

Sure, it’s amateur Claymation, but it kept my attention for the pure and simple oddness of it all.

Talking Heads were one of the premier punk bands out of CBGB’s, even though the punk genre (gawd I hate that word “genre”) was coopted by others who trashed it and gave it a bad name in the late 70s.

The Jolly Boys sing Amy Winehouse’ “Rehab” [via]. I gotta find out more about these guys.

Let’s see. Got four videos up, and since five is ideal for subliminal reasons, let’s roll one more for the road.

Awesome combination of Lady Day and Satchmo.  Have a great weekend, folks, and we’ll be back tomorrow.

Saturday Matinee – Sparky, Linus & Lucy, Magic, Douchebags, & the Downchild Blues Band

Loni Anderson (Good God, look at that hair!) introduced a tribute to Charles Schulz, creator of Wee Folk, aka Peanuts. Today is the 60th anniversary of its debut. RIP, Sparky.

David Benoit’s version of Vince Guaraldi’s classic  “Linus and Lucy.”

Amazing magic trick [found here].

Remember when SNL was funny? Buck Henry was one of the top writers in the early days.

According to one source, “Downchild” was the band that inspired Dan Akroyd to create The Blues Brothers.

BTW, The Competition will be closed at Midnight, Pacific Standard Time, tonight, so get yer last minute entries in.

Have a great weekend, folks.

Saturday Matinee – Star Trek, Willys Jeep, The Cleverlys, Clogging, Earl Scruggs & The Chieftains

German sci-fi advertisement [Found here].

How to breakdown and reassemble a Willy’s Jeep in under four minutes. [via]

The Cleverlys’ bluegrass version of “Walk Like An Egyptian.” [via]

After the Cleverly’s drummer’s action, it’s only proper to post a video of clogging, aka, Bluegrass Flamenco. Both bluegrass and clogging are closely related to Irish reels and dancing, so…

Here’s Earl Scruggs with the seminal Irish band The Cheiftains. Nice blend, that.

Have a great weekend, folks, y’all be back here tomorrow.

Sunday Matinee – Tim, Cab, James, Etta & Dr. John

Nice groove, tip from coldwarrior.

Cab Calloway’s “Reefer Man.”

Butane James lipsynchs to his classic in front of a bunch of white kids.  Note that the footwork is not lipsynched.

Etta James was not pretty, but this song is, especially when she’s accompanied by Dr. John Rebennack, and to be fair, he’s never been pretty either.

Have a great weekend folks, what’s left of it, and be back here tomorrow.

Saturday Matinee – Jerry Lee Lewis, Joan Jett, The Blasters, Big Joe Turner

Great cover of Johnny O’Keefe’s “The Wild One.”  Here’s Jerry Lee Lewis’ version of “Wild Child.”

Although Iggy Pop did a great cover (here’s the instrumental track if you want to sing along), Joan Jett’s version is pretty good, and looky who shows up on the street.

Speaking of covers, here’s The Blasters’ 1981 version of Little Willie John’s “I’m Shakin’.” From the Wikipud:

Phil Alvin explained the origin of the band’s name: “I thought Joe Turner’s backup band on Atlantic records – I had these 78s – I thought they were the Blues Blasters. That ends up it was Jimmy McCracklin. I just took the ‘Blues’ off and Joe finally told me, that’s Jimmy McCracklin’s name, but you tell ‘im I gave you permission to steal it.”

Big Joe Turner was a great big band blues singer in the early days of rock and roll rhythm and blues. “Shake, Rattle and Roll” was his first big hit in 1954, but was coopted by Bill Haley & His Comets (who cleaned up the lyrics for the white folks).

That’s all for now, have a great Memorial Day Weekend, see you back here tomorrow.

Saturday Matinee – Buena Vista Social Club; Tito, Poncho & Celia; The Iguanas

“El Cumbanchero.” The Buena Vista Social Club is awesome. Tip o’ the Tarboosh to Rodan for reminding me of them.

Continuing with Afro-Cubano jazz, here’s Tito Puente, Poncho Sanchez y Celia Cruz, with “Quimbara.” No idea what that translates to, but I guess it’s a dance style.

This was one of The Iguanas best songs, and the video doesn’t do it justice. (Here’s the studio version w/o video. As an aside, in the live video, the bass player looks like me in my 20s, but with a better haircut. Heh.) Since The Iguanas were from New Orleans, let’s move in that direction…

New Orleans is gonna be in the news again in a couple of days, but not for the right reasons. I suggest we ignore the msm and enjoy the music instead.

Have a great weekend and we’ll see you back here tomorrow.

Saturday Matinee – TUC, Fleet Foxes, Sirens, SRV & Neil with Bruce doing Hendrix doing Dylan

The Unknown Comic, LIVE! [I showed up once as The UC at a party in college, came in unannounced and ran through 15 minutes of cheap jokes, left to change clothes and toss the bag, and returned as myself. People were still asking the host “How did you get HIM to show up?”]

Bunkarina turned me on to this vid from the Fleet Foxes, a band out of Seattle.

Fleet Foxes reminded me of the soundtrack to “Cold Mountain,” but since I couldn’t find a video of the Sacred Harp Singers of Liberty Church, I’ll go with “O Brother Where Art Thou” and The Song of the Sirens.

Okay, we’re gonna break out of that deadend theme and jump to a Stevie Ray Vaughan classic, “Texas Flood.”

Here are Bruce Springsteen and Neil Young completely blowing a rock classic. “All Along The Watchtower” was an acoustic Bob Dylan song that Jimi Hendrix electrified and made a hit. Even Dylan started playing Hendrix’ version.  The lyrics make no sense, but if you reverse the order of the verses, it does. Kinda.

Have a great weekend, folks, be back here tomorrow.

Saturday Matinee – Handel, Ibexspeak, OC Fair Fail, Redbone, Cooder & Beefheart


Handel’s Messiah [Tip o’ the Tarboosh to Savage.]

Argument with an ibex. No subtitles needed. [via]

Interview with ice sculptor at Orange County Fair 2010.

Haven’t had any Leon in a while. When he was on the Tonight show, he didn’t know what Diddy Wah Diddy meant… or so he claimed.

Ry Cooder covered Diddy Wah Diddy, too.

Here’s Captain Beefheart’s version of a different  Diddy Wah Diddy, and with that we’re out until tomorrow. Have a great weekend folks.

[Update 7 August 2010 – Forgot to add that The Fabulous Thunderbirds did a great cover of Bo Diddley’s “Diddy Wah Diddy.” Couldn’t find a video for either versions.]

Saturday Matinee – World’s Strongest Redneck, Derek, Bob, Gatemouth & Johnny, and Buddy Guy

Redneck washing machine. When Steve McGranahan‘s not bending cast iron skillits for charity, this funny guy makes videos.

“Why Does Love Got To Be So Sad?” was one of Derek & The Dominos’ greatest hits.

One of my favorite Wailers songs.

Here’s a 44 year old Clarence Gatemouth Brown with a 32 yearold Johnny Jones playing  “Chicken Fat” in 1968. [via]

Happy 74th Birthday to Buddy Guy, one of the last original bluesplayers.  Here’s a guy who left the south for Chicago and played for sandwiches to keep from starving.

Have a great weekend, folks. See y’all back here tomorrow.

Saturday Matinee – The Clarks, Dan Akroyd, Eubie Blake, Tandy & Randy Newman

The Clarks! Tip o’ the Tarboosh to coldwarrior.

Dan Akroyd plays James Cotton‘s version of Ike Turner‘s Rocket 88.

Eubie Blake was awesome. He was 95 in 1978 when this interview was recorded.

During the break there’s  an advertisement for the troublesome RadioShack TRS-80 computer system, using magenetic tape cassettes for data storage. Only cost $599! That’s about $2,000 in today’s dollars. Later on, after users complained about problems with the cassette drives, Tandy eventually offered an awesome 5MB hard drive accessory, about the same size as a PC today, for $1,500 – a whopping $4,900 today.

Okay, 1978 was probably the peak of the (gag) disco phase, and the birth of R&B pop love anthems. There is absolutely nothing that ranked in the top 20 that I’d post here, except for maybe for the Stone’s “Miss You.” Worst song they ever did IMO.

On the other hand, this song made No. 41, and Randy Newman gets kudos for writing the most misunderstood song of the year:

Have a great weekend, folks, and meet me back here tomorrow.