[Found here.]
Hold a big red greasy thing like Hollywood does.
[Found here.]
[Found here.]
[Found in here. Apparently it’s a building in Warsaw, click to zoom.]
From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn’t what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.
[Image and caption found here. More at the link.]
Both are horseflies, and the top one is a liar. No matter how cute he looks covered in early morning dew, he’s gonna bite you, and the second one is going to laugh.
Yes, it’s true. Horse flies laugh and they know how to throw a trollface.
Update: Completely forgot The Friday .Gif Post last night. 12 hours of battling red tape at LADBS got me all bonky. Meanwhile, visit our .gif archives here.
[Found here.]
[Found here.]
[Found here.]
[Found here.]

“Dusk on Exeter Road” photo by James Casebere
His colour photographs depict American landscapes, those vast spaces where land, forest and sea meet in places such as the Californian coast and North Carolina. Isolated architectural structures stand in the midst of these places where nature reigns apparently unchallenged. Sometimes private dwellings, sometimes public buildings, they are the stamp of human activity and the symbol of its fragility.