Here’s Tom Waits‘ response when asked by NPR, “What is the most interesting recording you own?”
“It’s a mysteriously beautiful recording from, I am told, Robbie Robertson’s label. It’s of crickets. That’s right, crickets. The first time I heard it … I swore I was listening to the Vienna Boys Choir, or the Mormon Tabernacle choir. It has a four-part harmony. It is a swaying choral panorama. Then a voice comes in on the tape and says, “What you are listening to is the sound of crickets. The only thing that has been manipulated is that they slowed down the tape.” No effects have been added of any kind, except that they changed the speed of the tape. The sound is so haunting. I played it for Charlie Musselwhite, and he looked at me as if I pulled a Leprechaun out of my pocket.” [via]
That’s the first known recording of John Philip Sousa‘s “The Stars And Stripes Forever March.” It was recorded by Kendle’s First Regiment Band on 29 December 1901 and published by Victor Records [source]. Sousa wrote in his autobiography that he composed the march on Christmas Day, 1896, while crossing the Atlantic, after he learned of the death of his band’s manager.
In 1987, an Act of Congress declared the song to be the Official National March of the United States of America.
Every person who supported cessation and fought for Independence from England was a British subject. Every person who fought against them were also subjects of The Crown. The American Revolution was fought by the British against the British.
The abuse of power by the King had become intolerable, and 13 individual colonies eventually banded together as one to fight the tyranny. The odds were not in their favor, and those colonists in the fray knew that they would be hung (or tortured to death) if they failed.
The Second Continental Congress convened in Philadelphia in the summer of 1775, shortly after the war with the British had begun. It was preceded by the First Continental Congress in the fall of 1774.
The Congress appointed George Washington as commander of the Continental Army, and authorized the raising of the army through conscription.
On July 4, 1776, the Congress issued the Declaration of Independence, which for the first time asserted the colonies’ intention to be fully independent of the mother country.
The Congress established itself as the central governing authority under the Articles of Confederation, which remained in force until 1788.
While sitting in pre-holiday traffic, I listened to The Mark Levin Show, and he played the audio of those two videos with commentary. I re-learned some history.
Have a Great Independence Day
and Remember What It Means.
“He came to call his music “folk swing,” but that only hinted at the range of influences he synthesized. He drew from the American folk tradition but also from the Gypsy jazz of Django Reinhardt, the Western swing of Bob Wills, the harmony vocals of the Andrews Sisters, the raucous humor of Fats Waller and numerous other sources.”
Hicks was still performing up until his demise at the age of 74.
THAT is the prettiest (and only) cover of Tom Waits‘ classic “The Piano Has Been Drinking” I’ve ever heard. The backup vocals are sultry, and note the subtle hat-tip at about 03:00.
Have a great weekend folks, and a long one if you’re taking advantage of a mid-week Independence Day.
Rag’n’Bone Man’s first hit single, “Human“, was released on Columbia Records in July 2016. It peaked at number one in the Official Singles Charts in Austria, Belgium, Germany, and Switzerland. It was certified Gold in Austria, Belgium, Germany, Italy, the Netherlands, Sweden, and Switzerland.
That’s is an entirely different version and a precursor to the one I’m familiar with:
Have a great weekend, folks, and for Fathers’ Day, buy your Dad a big bacon cheeseburger with fries and a pint of stout. He’ll love it, despite what your Mom says about it causing tumors in rats.
From Wiki: Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The [1961] hit instrumental single “Last Night” (composed by the band as a whole) was the first of many successful hits to Nix’s credit. […] The Mar-Keys evolved into Booker T. & the M.G.’s.
What a convergence of talent at the right time and the right place. God Bless Stax Records.
Have a soulful weekend, folks, be back here tomorrow.
Old trick, but it’s a good ‘un. I had one that was similar – the bottles flipped from right side up to upside down using the same basic gaffe (like this). [via here.]
Through much of its history, the studio [Terrytoons] was considered one of the lowest-quality houses in the field, to the point where Paul Terry noted, “Disney is the Tiffany’s in this business, and I am the Woolworth’s.” Terry’s studio had the lowest budgets and was among the slowest to adapt to new technologies such as sound (in about 1930) and Technicolor (in 1938), while its graphic style remained remarkably static for decades. Background music was entrusted to one man, Philip Scheib, and Terry’s refusal to pay royalties for popular songs forced Scheib to compose his own scores. Paul Terry took pride in producing a new cartoon every other week, regardless of the quality of the films.
In keeping with the accidental Double O Theme, here’s one more.