Have A Good Time, Big Walter Horton, Cobra Records (1956)
Horton was also known as “Mumbles,” and “Shakey” because of his head motion while playing the harmonica.
When two outcast teens hack into a ubiquitous drone delivery system to pull a prank on their neighbor, they accidentally crash-land a dangerous prototype – and find themselves entangled in a life-and-death conspiracy.
Apparently it’s scheduled to be made into a TV series produced by Seth Macfarlane [via]
“Life in the countryside is not an easy life,” says Simão, explaining how the band shaped their unique sound. “Here there is nothing, no access to singing lessons, theater, or a place to buy instruments. So we are going to beat our improvised little things.”
Fundo de Quinal OFC is a lot of head-scratching fun. [Found here. More info here.] They took their name from these guys:
Grupo Fundo de Quintal or simply Fundo de Quintal (Backyard Group, roughly) is a Samba band which appeared in Rio de Janeiro in the late 1970s. Smooth rhythms.
“I don’t think Devo would have hatched in a major city. We were surrounded by an anti-intellectual culture and antagonistic people in Ohio. By the time we came up on the radar of the tastemakers, our aesthetic was fully formed.”
Little Remy & The Flying Rockers – Shadoogie (1962)
Indorock band uit Den Bosch
Ad Boeren – Drums; Rinus Huismans – Slag Gitaar; Guus Silooy – Solo Gitaar; Cees Vermeulen – Bas Gitaar.
Willy (Mink) DeVille had an unusual sound for the late ’70s scene, and Moon Martin‘s Cadillac Walk was one of my favorites. (I didn’t know that Mink DeVille was one of the original house bands at CBGB, but that explains a lot.) h/t Immortal Jukebox.
Michael Kiwanuka‘s One More Night is a cool groove with a quirky video stapled onto it. Can’t quite put my finger on what this reminds me of, but it’s a real smooth combination. Born and raised in London, Kiwanuka is the son of Ugandan parents who escaped the brutal Amin regime.
Have a great weekend, folks, stay cool and don’t let the ninnienannies get to you. Be back here tomorrow and we’ll do stuff.
George Duke showed up to play Zappa’s classic Uncle Remus with Dweezil Zappa‘s band in 2010. (If you like George Duke, this behind the scenes rehearsal from1978 is kinda fun. Jump to 02:50.)
Ignore the clickbait title – it’s a killer groove by MonoNeon. He’s right-handed, but plays left-handed on an upside-down right-handed bass. Dude can cover Zappa, too.
Very cool oddness. Bendito Machine is a series, and this is No. 6. You are allowed to start from the beginning with Bendito Machine I.
“Yaybahar is an electric-free, totally acoustic instrument designed by Görkem Şen. The vibrations from the strings are transmitted via the coiled springs to the frame drums. These vibrations are turned into sound by the membranes which echo back and forth on the coiled springs. This results in an unique listening experience with an hypnotic surround sound.”
“You know when a long haired dude shows up in a cowboy hat, leopard spotted duster and rattle snake boots some shit is about to go down.”
Name another bluesman whose video of a soundcheck garners 19.4 million views. Having just woken up, he yawns, flicks a booger and then busts it out. Stevie Ray Vaughan was one of a kind.
Have a great weekend, folks, and we’ll see what happens tomorrow.
You Tell Her – I Stutter, The Georgians (1923). The Georgians were a subset of the Paul Specht Orchestra. Specht had a gig at the Hotel Alamac in New York City in 1920. The orchestra played music for dancing in the ballroom and afterwards a smaller version of the group that went by the name of the Georgians played in the cocktail lounge.
Take Me Out To The Ball Game, Albert von Tilzer and Jack Norworth (1908). Kevin MacCleod, Wurlitzer organism, date unknown.
Download 1908 .mp3 version here.