Saturday Matinee – k.d.lang & The Reclines, Maryann & The Ramblin’ Two / The Hi-Flyin’ Combo / The Tri-Tones

Joanie Sommers‘ 1962 hit “Johnny Get Angry” was a complaint about a wimpy boyfriend who wouldn’t stand up for himself, let alone her (and includes a kazoo chorus for some bizarre reason).

k.d.lang & The Reclines‘ 1991 cover changed the message. There’s a bit of “Holiday For Strings” at 2:00, and that’s kinda funny.

The ghost of Patsy Cline lives on lang’s album “Absolute Torch & Twang.” Get a copy.

Maryann Lents hails from Tallinn, Estonia and nails American rockabilly. She mixes up band members depending on venue. Not sure if it’s “Maryann” or “Mariann” since it appears both ways on the FB pages (and yeah, she’s jamming chords).

Maryann & The Ramblin’ Two

Maryann Lants- rhythm guitar, vocals
Ivar Kannelmäe- solo guitar, vocals
Eduards Glotovs- upright bass

Maryann & The Hi-Flyin’ Combo

Maryann Lants – vocals, ac guitar
Wictor Johannson – el guitar
Igor “Garik” Golovenko – doublebass
Peeter Karo – drums

Maryann & The Tri-Tones

Maryann (Vocal, Rhythm guitar)
Artur (Lead guitar)
Peeter (Drums)
Mari (Upright bass)

Have a great weekend, folks. Stay tuned for more pure awesome.

Saturday Matinee – Tony Joe White, Jane Rose, Rev. Peyton’s Big Damn Band & RelaxTrio

BTW, that’s “poke sallet” for you city slickers. Poke is poisonous, and I remember it being called “hillbilly acid.” Young pokeweed is edible when cooked, but no U.S. food organization endorses the consumption of pokeweed regardless of how it is prepared, and the berries can kill you. It’s a lanky odd-looking weed with purple stems, grows to +6 feet.

“Sallet” is of French origin and refers to a mess of greens (including spinach, mustard greens, etc.) cooked until tender.

Jane Rose is nasty. I love it.

Reverend Peyton’s Big Damn Band is worth a listen. Country gospel rock is always good for the soul.

Finnish band RelaxTrio kicks psycho billy to a new level of psycho billy, whatever that means, but that girl pounds bass.

Linda Teränen (Vocals & double bass)
Oskari Nieminen (Vocals & guitar)
Vilho Voutilainen (Drums & backing vocals)

Have a great weekend, folks. Be back here tomorrow for more whatever.

Like this:

Saturday Matinee – Traffic Circle, Yes, Commander Cody & Bill Kirchen

I have that record somewhere. I think it’s called “Roundabout.”
Oh wait.

YES, they did some some cool stuff to listen to while sitting in the dark at 2:30AM staring at a lava lamp and watching rotating light cylinder projections on the walls of your dorm bedroom and suddenly realizing that all your friends had gone to bed. C’mon admit it. They sang like musically talented prepubescent girls. Relayer was their last decent album IMO, but none of their stuff was roadtrip music.

Commander Cody‘s classic cover (of Charlie Ryan‘s 1955 recording of “Hot Rod Lincoln“) featured the King of Dieselbilly Bill Kirchen.

Check out what Kirchen did with some guitar mods over 60 years ago:

See what he did there? Now listen to this:

Be patient, there’s some awesome in that vid.

Have a great weekend, folks, and we’ll do something or other tomorrow.

Pink Floyd fans will get this one.

[Found here via FB advert.]

Saturday Matinee – The Iguanas, The Forbidden Pigs & The Paladins

New Orleans band The Iguanas (Rod Hodges on guitar & accordion, Joe Cabral on sax & guitar, Rene Coman on bass, Doug Garrison on drums, and Eric Lucero on trumpet) live at Cafe Nine, New Haven, Connecticut on Oct. 19th, 2008. Nice vibe.

I have an Iguanas CD.

The missus and I saw them live. Billy would climb up on his upright bass, the drummer would leap over his drum set and hammer on the strings. Great show.

I have a Forbidden Pigs CD.

Glad to see The Paladins are still around. Saw them live – they were the warm up band for The Fabulous Thunderbirds at the now-defunct Golden Bear. Bass player was killer, looked like he was biting an invisible tennis ball while slapping.

I have a Paladins CD.

Have a great weekend, folks. See you back here tomorrow for stuff.

Trombone Kazoo

I got one of these as a present when I was a tad. The slide was inoperable as it was for looks only, and I recall that I annoyed a lot of adults with it. Somehow it disappeared for a long while, but reappeared a couple of years later.

No idea where it is now.

[Found here.]

Saturday Matinee – The Veteran & The Neighbor, Junior Wells, The Healers & Roy Buchanan

Iraq war veteran (Airborne Infantry) bought a plot of farmland in rural Virginia and discovered that something came with it. Grab a mug and listen to his story.

Junior Wells‘ performed his 1960 hit “Messin’ With The Kid” live in 1993. The Blues Brothers did a decent cover in 1978, and this version by The Healers is killer.

The Healers have one fine lineup, and one fine cause.

Roy Buchanan (1939-1988) was one of the greatest unknown blues guitarists in modern history. Have a listen to “Roy’s Bluz” live in Austin Texas, 1976. [Related posts here.]

Have a great weekend, folks. Got a nice assortment of Hot Links for you to sift through tomorrow.

Saturday Matinee – Leon Redbone (1892-2019)

“Why don’t they play pretty music any more?”

Leon Redbone was an iconic performer who reinvigorated the music of the late 19th to early 20th century, including blues, ragtime, dixieland jazz and country. That he pulled it off in the mid 1970s is an interesting commentary of the state of music of the time (mainstream rock was sucking donkeys). You couldn’t get more retro than Leon Redbone at that time, and he stepped right into the mix.

Rolling Stone described his repertoire as “so authentic you can hear the surface noise of an old 78 rpm.” During a 1974 interview (prior to release of any album) they asked where he first played in public. Redbone responded, “In a pool hall, but I wasn’t playing guitar, you see. I was playing pool.” Apparently he was pretty good at it.

I learned of the song “Ain’t Misbehavin” via some sheet music my late grampa had, and I liked the tune. I’d never heard of Fats Waller before I heard Leon Redbone’s version.

Then I heard Redbone’s over-the-top absurd version of The Sheik of Araby, a cover of this (1937) which was a cover of this (1922). I became a fan.

In the early ’80s I saw Mr. Redbone perform at The Golden Bear (a small but famous venue with no bad seats). His props were a rattan chair, a side table with a lamp, and his guitar. He was in the middle of a song when he saw the flash of a Kodak Instamatic camera. With lightning speed, he stopped, grabbed a Polaroid Swinger and took a photo of the photographer, then sat quietly humming until the image appeared. He held it up to view.

“Ahhh. Not a bad likeness.”

Then he resumed the song exactly where he left off.

I wasn’t aware of this until today, but there is a documentary on Leon Redbone. Here’s the trailer:

“He was always mysterious, he was always coming and going. It was almost like he was there one second and he’d be gone the next… and you never knew where he’d gone or why or how he’d even left, but suddenly he wasn’t there anymore.” – Jane Harbury, Publicist.

Here’s a link to the full documentary if you’re interested. It’s only 16 minutes, but it’s worth it.

Leon Redbone, you were a breath of fresh air into the stagnant late 70s music scene. May You Rest In Peace.

[Related posts here.]

Declassified Hot Links

This.

How to make a bug.

What’s the big idea?

Renewable resources.

Der Schweißermeister [via].

What does a zero sound like?

Free breakfast. And lunch. And dinner.

Sports Illustrated and creeping sharia.

Ancient beer recipe translated and brewed by monks.

All of Don McClean’s songs were sappy. There. I said it.


This creeped me right out. [G] [via]

This creeped me right out, too. [PG13]

This creeped me right out even more. [PG13]


From The World is Run by C Students Department:
In 2017, Jim Kenney, the democrat mayor of Philadelphia increased the soda tax to 1.5 cents per ounce, raising the price of a two-liter bottle of soda by roughly 67%. Tax revenue fell by 51%, shops closed and workers lost their jobs as people began shopping out of town. Brilliant move, moron.

[Top image found in here. Happy 30th Anniversary to Bunk & Bunkdalene.]

Saturday Matinee – Hahn Beer, Ten Years After, Samantha Fish & Justin Johnson

Here’s another.

Okay, I think I see a pattern. Here’s one more.

Okay, I’ll stop, but not before I link to this Danier Leather commercial.

Alvin Lee & Ten Years After‘s “I’m Going Home” is one of the greatest speed metal rock tribute songs ever, and this live version dates to 1969 – Woodstock. TYA had only one Top 40 hit.

How ’bout some Samantha Fish?

Definitely dangerous. Hand her something with four wires nailed to it and she’ll jam it down your throat. I want to hear what she can do with a diddley bow.

That’s Justin Johnson playing classic Son House on a custom-made glorified diddley bow.

Have a great three-day weekend folks and please remember what Memorial Day is all about. See you back here tomorrow.