“Check out the Prancercise Website Here: http://www.prancercise.com This video shows the 4 modes of Prancercise® .You can visit me at http://www.prancercise.com where you can learn more about Prancercise®: “A springy, rhythmic way of moving forward, similar to a horse’s gait and is ideally induced by elation.” copyright 1989, taken from my book Prancercise®:The Art of Physical and Spiritual Excellence, now available to the public for the first time!”
I don’t care about Mick Fleetwood either, but he was/is one hella talent.
Cadillac in the Swampis a torrid, steaming album, powered by the gutsy, powerful songwriting and singing of harpist Anthony Thompson. Smokehouse reworks the deep, swampy groove of New Orleans and Delta blues, adding the electric energy of Chicago blues. Thompson is a raw, greasy harmonica player, evoking the classic licks of Little Walter. He’s not as good a singer — his range is quite limited — but he is a forceful and emotional vocalist and he’s one hell of a songwriter; unlike many of his contemporaries, he is not afraid of tackling big social issues. Guitarist Robert Thomas is equally impressive, spitting out firey solos and muscular riffs throughout the record. That musical dexterity and sinewy energy shines throughout Cadillac in the Swamp, a first-rate modern blues album. ~ Stephen Thomas Erlewine, AMG Enjoy !!!
I don’t know where that recording came from, but it sounds a lot like Howlin’ Wolf to me. Nasty blues with a very cool video.
Have a great weekend, folks, and we’ll be back here tomorrow.
Fishbone was, and is, one of the tightest high-speed ska bands I ever heard. [The above is dedicated to Professor Christine Ford, whose evil testimony under oath has been proven to be fabricated in order to impune the character of an innocent man.]
One of the best slide guitar players in the business. Ry Cooder‘s 1988 swamp rock take on Elvis‘ “All Shook Up” was awesome.
Killer stuff from Justin Johnson. Turn it up. It’s the musical equivalent to stress on the 405 through L.A. at rush hour and I love it.
Have a great weekend, folks, see you back here after I tear up my kitchen tomorrow.
This is reported to have been Frank Zappa’s last public performance, directing the Ensemble Modern, Alte Oper, Frankfurt, Germany, 17 September 1992. Zappa died less than two years later, days shy of his 53rd birthday. From the UToob link:
It was his last professional public appearance, as the cancer was spreading to such an extent that he was in too much pain to enjoy an event that he otherwise found “exhilarating”. Recordings from the concerts appeared on The Yellow Shark, Zappa’s last release during his lifetime.
And now for something completely different.
Have a great weekend, folks, see you back here tomorrow.
In the late 70s, there was a shift away from hard rock, pop, disco, and other over-produced gag-inducing genres, and I took a liking to Country Rock Jazz fusion. The Marshall Tucker Band caught my ear with “The Last of the Singing Cowboys,” one of the prettiest songs ever written, featuring one of the greatest country rock vocalists ever: Doug Gray (and yeah, that’s one silly-ass hat on the guitar player.)
Domingo “Sam” Samudio is still live and howlin’ in this vid from 2000. IIRC, Sam took his nic “The Sham” because he only knew 3 chords. “Little Red Riding Hood” is probably my favorite STSATP song – even in elementary school we got the innuendo. “Oh, That’s Good” was fun due to our juvenile misinterpretation of the lyrics: “He operated on my 3rd leg…”
Archers of Loaf. Great 3-chord rock. According to Wiki, they disbanded, reformed, broke up and now reorganized before disappearing completely.
In 2009, The Axis of Awesome discovered the secret 4-chord progression required to make a hit record.
Zappa’s “Variations on the Carlos Santana Secret Chord Progression” is a classic. Unfortunately the video is not an actual performance, but a compilation of images pasted over the music. So what. I still like it. We’ll let Carlos Santana have the last word.
Die Allotria Jazzband ist eine Combo, die 1969 in München gegründet wurde und dem traditionellen Jazz verpflichtet ist. [Allotria translates to Monkey Business.] “Wolverine Blues” was written and recorded by Jelly Roll Morton in 1923.
Two decades later, Fats Waller was playing the same style.
Nice lip-sync of a pretty song. According to the UToobage: “Myra Johnson voiced-over the girl “vocalist” sitting on the piano, who, according to trumpeter Eddie Henderson, is his mother.”
In 1975, over five decades later, Leon Redbone recorded his own version (and this isn’t it. Click the link). Mr. Redbone’s music is meant for eggs and coffee and a side of toast.
Meanwhile, Jim Stafford is both an underrated guitarist, a talented comedian, and he had some minor hits in the 70s, and he’s still alive. Congrats.
Stafford had a number of minor hits, but I remember one in particular. I’d just lost a girlfriend, and this song seemed to make sense of it all. In retrospect it didn’t, but so what.
Dude was and is funny.
Here’s one of the prettiest songs George Harrison ever wrote and one of the most appropriate videos I’ve ever seen.
For some unknown reason that song always makes me tear up, and there’s something in that innocent video that hits my heart.
Have a great weekend, folks. See you back here tomorrow.