Twisted clay animation by Takena Nagaona: “I began making clay animations at high school. I’m a huge fan of horror movies and metal music. My works are often renowned for violence and gore!”
[h/t Gorehound]
Roy Head (sans The Traits) showed off his JB moves while lip-syncing on Hollywood A Go-Go (a Shindig wannabe) in 1965. Too bad the vid fades out before the song is over.
“The only other guy who has more Hank Williams in him than me is Wayne ‘The Train’ Hancock…” – Hank Williams III Wayne Hancock covers Fats Waller because he can.
They were the greatest early rock and roll band you never heard of. The Tielman Brothers were of Indonesian/Dutch ancestry and made a name for themselves, first in East Indonesia, and later in the Netherlands. In 1958 they recorded Rock Little Baby of Mine, considered to be the first Dutch rock ‘n’ roll record
Undercover S.K.A., a third-wave band from San Francisco, began as a one-off gig for a backyard party in the 1990s. They lost band leader Bob Glynn in 2017.
Pure awesome. Kitty, Daisy and Lewis Durham “giving a free gig at Brewdog Shorditch; to win tickets you had to draw a picture of one of their songs,” 11 April 2012. Those are their parents filling in on bass and rhythm guitar. [Previously posted vids and info here.]
Have a great weekend and stuff. Here. Tomorrow. Be.
Johnny “Johnny Blues” Cárdenasis is a blind self-taught street musician from Santiago, Chile, who plays nothing but roots blues. There are interviews with him on the Utoobage, but they lack captions and my Spanish is rusty.
The Deadcats, hellbilly rockers from Vancouver, B.C., are/were comprised of Chopper (guitar) Gorehound (guitar), Kermit Von Munster (upright bass) & Mike Mick Tupelo (drums)… of course. Nice horn section.
UPDATE: Got a response to that vid from an online friend: “Hi Bunk, thanks for posting Motoloco, the line up is Chopper/Gorehound-Guitar, Mick Tupelo(RIP) Upright Bass, and Kermit Von Munster on Drums. That song got used in a video game somewhere so we got paid for it. We actually opened for the Paladins once in 1996, Deadcats have been defunct for quite a while, Mick was dealing with Muscular Dystrophy. Our last gig was opening for the Necromantics, 4 big guys had to lift Mike up onstage.” – Gorehound
The Hi-Jivers mix and match roots rock, blues & country. Yep, she’s got some pipes.
Dawna Zahn – Vocals
Austin John – Guitar
Hank Miles – Upright Bass
Jason Smay – Drums
Glad to see The Paladins are still at it. I saw them years ago and remember them as the warmup band who showed up the headliner.
Looks like another monster storm coming for most of the States east of the Rockies in a couple of days. Wherever you’re at, hope the warnings are few and overstated, and we’ll be back for laundry day.
Meanwhile, Lukas Nelson & Promise of the Real (aka PTOR) had just about enough of the drama and decided to walk. Nelson & PTOR got off to a good start in 2008, opening for his dad, Willie, and now they back up Neil Young. They sound a bit like The Band to me, and that’s a good thing.
There’s a big storm coming, and I’m not talking about weather. Get your stuff in order and be back here tomorrow for no reason at all.
Kay Kyser (& his Kollege of Musical Knowledge) performed one of the strangest compositions I’ve heard recently. Invented in 1939, the Sonovox (or Talk Box) was featured in many advertisements, and used for the voice of the talking train in Disney’s Dumbo. [Found here via here.]
Possibly the best lip sync of Maurice Williams & The Zodiacs ever. (That’s John and Adrian according to the YouTube post notes.) Whoop, la-di-dah.
The Wheelgrinders are three hep cats from Vancouver B.C. cranking some entirely bitchin’ roots rockabilly. [h/t Gord S.]
Glad this week is over. The wind is picking up, so keep an eye on the weather forecasts. Have a great weekend – be back here tomorrow just for the helluvit.
In 2019 Pellegrino sued Epic Games for allegedly using his likeness when designing the “Phone it in” dance emote. “Because of his externally rotatable feet, he eventually developed his own unique dancing style and his signature and original movements – viz., the Signature Move,” reads the filing.
Cat City (2017) by Vewn. “I wanted to portray a world where a character’s experience in the physical world is a reflection of their emotional turmoil. In a way, it parallels my own experience of growing up and leaving home to pursue what I thought was my dream, and then slowly realizing it wasn’t what I thought it would be.”
-Victoria Vincent
Woman Don’t Lie & Somebody Loan Me A Dime – Luther Johnson, with Sonny Thompson on piano (1973). The second [3:50] is a cover of a Fenton Robinson song.
Tacky Raccoons 