Santa Claus Is Comin’ To Town, The Harmony Grits (1959) When The Drifters were fired by their manager after an incident at the Apollo Theater, they were immediately replaced by members of The 5 Crowns. Clyde McPhatter had begun a solo career, so the others, Gerhard and Andrew Thrasher with Bill Pinkney and Little David Baughan(?) formed The Harmony Grits, as their former manager owned rights to The Drifters name. They recorded two songs before renaming themselves The Original Drifters. [More on the story here.]
Girls Are Out To Get You, The Fascinations (1966) Produced by Curtis Mayfield, this song reached No. 92 on Billboard Hot 100. Formed in 1960, Shirley Walker (aka Shirley Lawson) and Martha Reevesoriginally planned on calling their group the Sabre-ettes. Reeves had more success as lead singer for Martha & The Vandellas.
Being Without You, Maurice Williams (1966) Maurice Williams (with The Zodiacs) was best known for the classic 1960 hit Stay, the shortest recorded number one hit in the history of the Billboard Hot 100 chart (US).
It Ain’t Nothin’ But Rock And Roll, The Matadors (1963) Puerto Rican street corner vocal group The Epsilons formed in Brooklyn NY, changed the name to the The Matadors and recorded four songs in 1963. There was another group with the same name, and rather than give up their matching bullfighter garb, they became The Toreadors.
Do The Zombie, M.R. Baseman & The Symbols (1963) This song was the B-side of a 45rpm recorded on the Graphic Arts label, the A-side being a cover of the Devotions’ Rip Van Winkel, recorded by “Marty & The Symbols.” Very little is known about this group except they may have been from Astoria, Queens, NY. No relation to the 1960s UK pop band The Symbols.
Stampede, The Scarlets (1959)
Not to be confused with the R&B vocal group of the same name, or the 1960s band from Denmark, or the glam-punk band from Australia, this was an instrumental group with Peter Antonio, (aka Pete Antell) and John Sanzone on guitars. Originally titled Dragstrip, Stampede was the theme to the movie Dragstrip Girl. From Billboard’s Music Popularity Charts Sep. 28 1959: “A fine instrumental blues with lots of echo. Side makes use of a downward progression of notes as one of its base themes. Plenty of raucous guitar and sax sound here (Atlantic, BMI).”