“It looks like vomit.”
“I’m so scared to try this.”
“It looks like a chopped up ferret.”
Born in Yakutia, Russia, Olena Uutai (Olga Podluzhnaya Uutai) pulls unearthly sounds from a khomus, a type of jaw harp once played by tribal shamans of the far east. [h/t Pam M.]
Transfiguration (2020) by Universal Everything is a remaster from their 2011 original. UE is a global collective of digital artists, architects and engineers, and there’s some very cool CGI animations in their portfolio.
Donks by Felix Colgrave: “The name comes from a box of miscellaneous plastic objects my child has. Things that are not categorically blocks or figurines or anything describable. I referred to them as ‘gonks’, which was pronounced by my then-2-year-old as ‘donks’. “
[h/t Mme. Jujujive]
Matt “Guitar” Murphy, Memphis Slim & Billy Stepney on Jazz Prisma, Brussels, Belgium (1963).
Regarding Matt Murphy, one UToob commenter summed it up: “I’ve heard many a fine guitarist mention this guy as a major influence, from Jimmy Page to fellow blues legend Freddie King. He was Howlin Wolf’s lead guitarist before Hubert Sumlin came along, and played with Ike Turner, Buddy Guy, Etta James, Chuck Berry, Sonny Boy Williamson, Otis Rush, and of course the Blues Brothers. Underrated player.”
ZeFrank educates because it’s what he does, behbeh.
Yoann and Marie Bourgeois – The One Who Falls
Performances presented on October 22, 2022 on the occasion of the pre-opening of Hangar Y, the new cultural and event center of the city of Meudon.
Amazing dance / performing artists [h/t Memo Of The Air].
Lotsa stuff to do: stuff that I need to do, stuff that I probably oughta do, and stuff that’s a total waste of time. Seems I’m doing a lot of the third type of stuff these days, but at least it’s fun. Have a Superbowl weekend, and we’ll be back tomorrow. For stuff.
AI meets Mandelbrot, and the results are beautiful, serene – and distubing. Computer artistry by Glenn Marshall, based upon a 3D Appolonian fractal animation by Inigo Quilez.
Excellent Buddy Guy cover by MONSTER TAI-RIKU (and that is how to play blues harp). Formed in 2012 and comprised of young session musicians, the band took a leave of absence in March of 2020.
Hubert Sumlin & Sunnyland Slim (with Willie Dixon on bass & Clifton James on drums) fromThe Stars of the 1964 American Folk Blues Festival, a German television program. Sonny Boy Williamson II did the introduction.
Scott H. Biram is a one-man ass-kickin’ rock machine. (Reposted from about ten years ago).
I’m yawning, gotta go, see you back here tomorrow.
Argentine tango in black and white. Otros Aires is “a 21 Century Audiovisual ElectroTango project created, produced and directed by the Argentinean musician, architect & video artist Miguel Di Genova. It was made between Barcelona and Buenos Aires ports in 2003.“
Meanest cover of Dale Hawkins‘ Susie-Q I’ve ever heard. The Head Cat, live at The Key Club, West Hollywood, California, May 6th, 2010, consisted of Slim Jim Phantom (Stray Cats) Lemmy Kilmister (Motörhead) & Danny B. Harvey (Rockats). Lemmy died in 2015 at the age of 70 and was replaced by David Vincent (Morbid Angel).
Gunhild Carling is amazing. Someone told her the bag pipes are a musical instrument so she played them.
Happy New Year to all, and let’s hope the insanity abates in 2023.
Written by Doc Pomus and Mort Shuman, Elvis scored a hit in 1961 with Little Sister in 1961, but Ry Cooder‘s 1982 version is my favorite.
New Blues, Miles Davis w/ Robben Ford & Bob Berg (1986).
Don’t be fooled -it starts out slow then sneaks up behind you and kicks you in the head. Ford steps in at about 3:00.
Have a great weekend, see you back here tomorrow and we’ll talk it over.
Seems like Swamp Dogg has been around forever; he’s 90 and still recording: “Every time I listen to some new music that everybody thinks is the greatest thing since hot biscuits, it’s full of Auto-Tune.” He decided to give it a go, and used it to give “a sense of emotional detachment” on his album Love, Loss and Auto-Tune (2022).
Whole Lotta Shakin’ Goin’ On, Big Maybelle Smith (1955) Mabel Smith began recording in 1947 when she was 23 years old, yet she’d been singing in various venues since she was a child. She was the first to record Whole Lotta Shakin’ Goin’ On, produced and arranged by a young Quincy Jones for Okeh Records, and predating Jerry Lee Lewis’ version by almost two years. (Lewis liked the song so much he stole it, then credited Big Mama Thornton.)