George Thorogood & The Destroyers Live on 19 May 2017 in Pompano Beach, Florida.
The Gary Cain Band live at The Golden Pheasant in St. Catharines, Ontario 19 December 2015.
Samantha Fish makes it look so easy, but it’s not.
Have a great weekend, folks. See you back here tomorrow for more stuff.
“Check out the Prancercise Website Here: http://www.prancercise.com This video shows the 4 modes of Prancercise® .You can visit me at http://www.prancercise.com where you can learn more about Prancercise®: “A springy, rhythmic way of moving forward, similar to a horse’s gait and is ideally induced by elation.” copyright 1989, taken from my book Prancercise®:The Art of Physical and Spiritual Excellence, now available to the public for the first time!”
Good God. How embarrassing. And hilarious [via].
Awesome. I want to know the size of her pet door [via].
Lindsay Buckingham got fired from Fleetwood Mac and I don’t know why. I also don’t care.
[Somewhat related Beat Farmers recording here.]
I don’t care about Mick Fleetwood either, but he was/is one hella talent.
Cadillac in the Swamp is a torrid, steaming album, powered by the gutsy, powerful songwriting and singing of harpist Anthony Thompson. Smokehouse reworks the deep, swampy groove of New Orleans and Delta blues, adding the electric energy of Chicago blues. Thompson is a raw, greasy harmonica player, evoking the classic licks of Little Walter. He’s not as good a singer — his range is quite limited — but he is a forceful and emotional vocalist and he’s one hell of a songwriter; unlike many of his contemporaries, he is not afraid of tackling big social issues. Guitarist Robert Thomas is equally impressive, spitting out firey solos and muscular riffs throughout the record. That musical dexterity and sinewy energy shines throughout Cadillac in the Swamp, a first-rate modern blues album. ~ Stephen Thomas Erlewine, AMG Enjoy !!!
I don’t know where that recording came from, but it sounds a lot like Howlin’ Wolf to me. Nasty blues with a very cool video.
Have a great weekend, folks, and we’ll be back here tomorrow.
Fishbone was, and is, one of the tightest high-speed ska bands I ever heard. [The above is dedicated to Professor Christine Ford, whose evil testimony under oath has been proven to be fabricated in order to impune the character of an innocent man.]
One of the best slide guitar players in the business. Ry Cooder‘s 1988 swamp rock take on Elvis‘ “All Shook Up” was awesome.
Killer stuff from Justin Johnson. Turn it up. It’s the musical equivalent to stress on the 405 through L.A. at rush hour and I love it.
Have a great weekend, folks, see you back here after I tear up my kitchen tomorrow.
In the late 70s, there was a shift away from hard rock, pop, disco, and other over-produced gag-inducing genres, and I took a liking to Country Rock Jazz fusion. The Marshall Tucker Band caught my ear with “The Last of the Singing Cowboys,” one of the prettiest songs ever written, featuring one of the greatest country rock vocalists ever: Doug Gray (and yeah, that’s one silly-ass hat on the guitar player.)
Domingo “Sam” Samudio is still live and howlin’ in this vid from 2000. IIRC, Sam took his nic “The Sham” because he only knew 3 chords. “Little Red Riding Hood” is probably my favorite STSATP song – even in elementary school we got the innuendo. “Oh, That’s Good” was fun due to our juvenile misinterpretation of the lyrics: “He operated on my 3rd leg…”
Okay, um, let’s move on.
Never heard of James “Super Chikan” Johnson? Crank it up.
Have a great weekend, folks. See you back here tomorrow for more inanity.
Complete Captain Beefheart concert, possibly in Toronto 1974 [via]. I saw CB and his Magic Band live in the early 80s at The [famous but now defunct] Golden Bear in Huntington Beach California. Bizarre tribal rhythmical poetry during his “Bat Chain Puller” tour.
BeauSoleil undated and completely awesome.
George Thorogood‘s vid from 1982 included cameos by pool sharp Wiilie Mosconi and the late great Bo Diddley.
Have a great Labor Day weekend, folks.
Jared Dines commissioned the design of a 17-string guitar, paid $1,200 for it, then learned that it was made in China for $400. Pissed him off, so he destroyed it. He then ordered this 18-string from a legit Australian company. Nice catchy tune…
Hillbilly Moon Explosion is interesting. Not too many bands feature Wednesday Addams teaching Lurch how to do The James Brown (at least I think that’s the dance).
The Baboons‘ “It’s Dark” has a solid (but unattributed) Howlin’ Wolf groove, so let’s go there.
That’s Willie Dixon on bass. He wrote, arranged, produced, played and sang on some of the most influential blues standards in modern history, so it’s really a Dixon Groove.
Have a great weekend, folks. See you back here when you’re ready.
Not quite Sweded, but close. [Found here.]
Brazillian concert pianist Eliane Rodrigues discovered that her piano was defective, descended into Hell, then came back smiling. She’s no prima donna.
Doña Oxford ain’t no slouch either, and her keys melt. Let’s do one more.
The All Night Long Blues Band featured Sean “Bad” Apple, Dixie Street and Martin Grant with a nice cover of Hambone Willie Newbern‘s 1929 recording “Roll and Tumble Blues.” [Harp player Martin Grant passed away in March of 2015.]
Have a great weekend, folks. See y’all back here soon.
Kmac2021 is a one-man Spinal Tap. Reminds me of the vids entitled, “What It’s Really Like To Work In A Music Store.”
Part I
Part II
Part III
Part IV
Part V
Okay, so where do we go from here? Goin’ Down.
Stevie Ray Vaughan & Jeff Beck covered Don Nix‘s “Going Down.”
I always thought it was a Freddie King song. So what else did Nix do? A lot.
From Wiki: Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The [1961] hit instrumental single “Last Night” (composed by the band as a whole) was the first of many successful hits to Nix’s credit. […] The Mar-Keys evolved into Booker T. & the M.G.’s.
What a convergence of talent at the right time and the right place. God Bless Stax Records.
Have a soulful weekend, folks, be back here tomorrow.
Yeah. Found here. Grand Funk Railroad released “We’re an American Band” in 1973, It was produced by a 25 year old named Todd Rundgren and it went gold.
Many of his own recordings were catchy pop (and somewhat sappy) love songs and covers of the same IMO, but I liked them. I liked them especially because the pretty coeds would stay around longer when Todd Rundgren was spinning at 33rpm. Then in 1983 he wrote and performed one of the best ska tunes ever – Bang The Drum All Day. (As a resident of Hawaii, he later recorded “Bang The Uke All Day.)
Sarah Collins‘ vocal overdub of The Specials‘ 1979 cover of Dandy Livingstone‘s 1967 rocksteady song Rudy, A Message to You makes me smile, but we can’t close out with that one. Sorry, Sarah.
DO NOT BYPASS THE INTRO.
Joanna Connor covers Son House‘ classic “Walkin’ Blues.” She pats your head, then smacks you twice before you realize what happened. Pure awesome.
Have a great weekend, folks, see you soon.
That’s Steve Gulley & New Pinnacle performing The Fiddle Player’s National Anthem in 2015(?). And yes, they got clogged by a buck dancer. “Orange Blossom Special” is probably the greatest train song ever, followed by the late Steve Goodman‘s “City of New Orleans.”
Nice 3-string electric cigar box slide git-fiddle from Christopher Ameruoso in 2015.
“Night Train” is a killer boogie jam by Tab Benoit, Tommy Castro & Samantha Fish recorded at The Birchmere, Alexandria, VA, 2014. Somewhere, John Lee Hooker is smiling.
Have a great weekend, folks. See you tomorrow.
Tacky Raccoons 