Beware of The Doghouse. Been there. I overlooked the first Valentine’s Day post-marriage as I considered it to be a dating holiday. I ate damp corrugated cardboard for months [via].
The Greg Johnson Set is a band from New Zealand, sounds like a traditional Irish band, performs “People Can’t Talk In This Town” from 1992. Somehow the concept of Freedom of Speech is being quietly vanquished [via].
Lets lighten it up a tad. How ’bout some great rippin’ by Jimmie Vaughan with The Fabulous Thunderbirds?
Have a great weekend. Be back here tomorrow for more powerful stuff.
The Blues had fallen out of favor in the U.S. recording market in the 1960s, as it was considered retro and passé. Many talented blues musicians from the ’40s and ’50s were left with few options until British rock bands took notice and revived the genre by covering various classic American blues songs, often without credit, which fomented a resurgence of interest in the original recordings. The British were largely responsible for restarting the careers of such notables as Muddy Waters and Howlin’ Wolf. Even early blues-based rock and rollers Chuck Berry, Little Richard and Bo Diddley got career boosts, and all were more popular in England than they were in the United States at that time.
Riley B. “Blues Boy” King was one of the greatest bluesmen of all time, known for his roaring vocals and understated guitar solos. He paid the cost to be the boss, and this BBC documentary from 1972 is amazing. There’s no posing, no strutting or preening, just straight talk about influences and style in a refreshingly honest manner. There’s no point in posting other B.B. King videos here because this one covers it all.
R.I.P. Mr. King. That’s one hell of a legacy you left us.
Pure awesome [via]. It’s a series that’s been going on for a while, and I find it hilarious, but let’s clean the palate. How ’bout a jam from Jimmy Vaughan & The Tilt-A-Whirl Band?
One of my earliest memories was puking on the Tilt-A-Whirl at LeSourdsville Lake and I loved the ride ever since. Have a great weekend, folks, see you back here tomorrow.
Awesome slide by Jack Broadbent on the streets of Amsterdam in 2014 with a cover of Canned Heat’s “On The Road Again.”
“On The Road Again” was penned by the late Alan “Blind Owl” Wilson and Floyd Jones. Wilson died of a barbiturate overdose in 1970 at the age of 27, within a few weeks of the similar drug-related deaths of Jimi Hendrix and Janis Joplin. So what about Floyd Jones? Let’s hear him.
Here’s Floyd Jones‘ “Stockyard Blues” with his own commentary.
Have a great weekend, folks. See you back here tomorrow.
The Cleverlys are pure country, and their take on The Bangles’ 1985 hit is pure awesome.
Let’s move on to something entirely different. How ’bout some Magic Sam?
Magic Sam Maghett graduated from a diddlybow to electric guitar. Pure country bluesman who travelled up the Mississippi to Chicago’s Cobra Records.
Have a great weekend, folks. Be back here tomorrow and maybe we’ll discuss the many ways to secretly deflate footballs and turn them into a national crisis.
“She was 5 feet tall. She was less than 100 lbs “soaking wet”. She spent her childhood in Oregon and Idaho yet was proud of her family’s Southern roots. She could hunt and fish and, if you deserved it, she could punch your lights out! She was Lee Morse, one of the most popular female recording artists during the Jazz Age 20’s and 30’s. And, she is worth remembering.” ~Ian House
Jimmie Rogers (1897-1933) is considered the Father of Country Music for his long-lasting music influences, worked the railroad until he contracted tuberculosis in 1925. While fighting off the disease and unable to perform physical labor, he returned to his original love, writing and performing, until he succumbed at the age of 35.
Sadly, there was a vaccine to combat TB as early as 1921, but according to Wiki it wasn’t widely available in the U.S. or Europe until after WWII. Rogers also sang about his affliction in “TB Blues.”
Here’s Jimmie Rogers in the Columbia Pictures short “The Singing Brakeman” from 1930.
That’s it for this edition of The Saturday Matinee. Have a great weekend, folks.
Edwin Starr lip-synched the classic song “War” in 1969. Good God, y’all. Originally recorded by The Temptations, their version was squelched and re-recorded with Starr on vocals. It made No.1 on the charts in 1970, and was one of 161 songs on the Clear Channel no-play list after September 11, 2001 according to Wiki.
Nobody wants war except our enemies, and to ignore their stated intents and stated goals is fatal. Seems to me that if they want to kill all of us, all Jews, all of Western Civilization, we’re going to have a very long fight.
Valerie June plays “organic moonshine roots music.” More popular in Europe than the U.S., her recording of “Workin’ Woman Blues” was produced and engineered in Budapest. [via]
“Rake My Back” by The Forbidden Pigs (live at the Zoo Bar, Lincoln Nebraska 2001). The missus and I saw them in L.A. about 10 years prior by accident. We went to see The Paladins, and Jimmy & The Mustangs were there, too. The Paladins were great, The Mustangs were loud, but The F Pigs blew everyone away. Best stunt was when the drummer got up on his stool, took a flip over his kit, landed on his feet and beat the strings of Bacon’s bass. Pure awesome.
Have a great Labor Day weekend, folks. We’re not going anywhere soon.
Tacky Raccoons 