
I’d love to know who those guys were and what that bass sounded like. Gimme a heads up with a link if you know.
[Found here.]

I’d love to know who those guys were and what that bass sounded like. Gimme a heads up with a link if you know.
[Found here.]
This exclusive video depicts Armstrong and his All Stars recording the master take of “I Ain’t Got Nobody,” as well as silent footage of them listening to the playback. Also featured in the clip are Trummy Young, trombone, Peanuts Hucko, clarinet, Billy Kyle, piano, Mort Herbert, bass and Danny Barcelona, drums.
I always thought Kid Ory came out of King Oliver’s Creole Jazz Band (along with Johnny Dodds, Baby Dodds and Louis Armstrong) but according to Wiki:
Ory had one of the best-known bands in New Orleans in the 1910s, hiring many of the great jazz musicians of the city, including cornetists Joe “King” Oliver, Mutt Carey, and Louis Armstrong, who joined the band in 1919; and clarinetists Johnny Dodds and Jimmie Noone.
So how ’bout some more in the same vein? Trombone Shorty’s tribute to Louis Armstrong ain’t bad, and he’s got one hell of a breathing trick.
[Confidential to Calo – That one’s for you. Condolences.]
Have a great weekend, folks, and be back here tomorrow for more, you know, stuff.
The National Blues Museum just opened in St. Louis, Missouri. [via]
In December 1969, Andy Williams (aka Mr. Moon River) got down and funky with The Temptations. He looked mad, dammit. [via]
The Continentals (Richard Frank, Lead Guitar; Robert Sarlo, Rhythm Guitar; Ricky Mangone, Rhythm Guitar; Joseph Messina, Drums and Ralph DiForio, Vocals and Bass Guitar) recorded July 9, 1961 on Ted Mack’s Original Amateur Hour.
I dare you to Lip sync Surfin’ Bird. Now sing it without a backup band. Have a great weekend, folks, and we’ll be back tomorrow with more inanity than you can stand.
“16 Shells From A Thirty Ought Six” is one of my Tom Waits favorites. Pure industrial grade Howlin’ Wolf. This clip was from his 1988 film dérangeant Big Time.
Howlin’ Wolf and other classic bluesmen were promoted by The Rolling Stones.
Great live version of “Jimi Thing” by The Dave Matthews Band in 2011. Jump to 07:00 for some awesome funk sax by Ron Holloway.
The South Memphis String Band is a bit traditional and a bit unorthodox in their approach to country bluegrass and blues. Here’s their version of “Jesse James.”
“Jesse James” was first recorded by Bascom Lamar Lundsford in 1924. He played and promoted traditional Appalachian folk music and styles from the previous century.
The Allman Brothers‘ version of “One Way Out,” recorded live on 2 November 1972 in Hempstead, New York:
“Ain’t but one way out baby,
Lord I just can’t go out the door;
Ain’t but one way out baby, and
Lord I just can’t go out the door;
‘Cause there’s a man down there,
might be your man I don’t know.”
Here’s a brief history of the song with links to earlier recordings.
Have a great weekend, folks. More fun is on the way.
Lake Superior pwns the ice [via].
13 February 2016
“Lake Superior put on a dramatic show with her recent ice in Duluth, Minnesota.
[…]
The seemingly endless ice sheets broke into large plates and stacked on shore, sounding much like breaking glass. The ice thickness ranged from about 1/4″ to about 3″ thick.”
Room Full Of Blues (AKA The Institute of Awesome). They’ve been around for decades and don’t get half the respect they deserve. I heard them live in the ’80s and my ears are still ringing.
How ’bout some Magic Slim? Nice bad boy groove, that.
Buddy Guy coached a young prodigy on stage, and displayed no condescension whatsoever. What a class act.
Have a great weekend, folks. Be back here to tomorrow, because I said so.
Arthur “Big Boy” Crudup (1905-1974) recorded “That’s All Right” in 1946, and was dubbed “The Father of Rock and Roll.” Crudup spent his life as a farmer and a moonshiner, and although a talented bluesman from Mississippi, he received few if any royalties for his songs that were covered by many, including Elvis Presley, Elton John and Rod Stewart. Crudup got chumped by the recording industry, and eventually went Galt – he decided that if he couldn’t get a piece of the action, why record at all.
1946 was the same year Pee Wee King recorded the classic “Tennessee Waltz.” (I wasn’t anywhere near being born then. The first version I remember was by Spike Jones and His City Slickers, and I wasn’t born then either, but I got a 45rpm copy, and here’s the flip side.)
Here’s The Duprees‘ version of “You Belong To Me,” and the song is not about slavery.
Nice blues rock jam from husband & wife team known as The Tedeschi Trucks Band.
That’s a wrap for this edition of the Saturday Matinee. Have a great weekend folks.
Mississippi Fred McDowell‘s version of Bukka White‘s “Shake ‘Em On Down.” (This version is hot, too.)
Roscoe Holcomb plays “Graveyard Blues.” Pure Appalachian finger style guitar. So where can we go from here? Oh wait. I know.
The Dixie Hummingbirds are one of the greatest soul Gospel groups ever, with a track record dating to 1928. We’re all on God’s Radar whether you accept it or not, and that’s a wrap for this edition of the Saturday Matinee.
Pink Floyd. In the rain. Wish you were here.
Tanya – Violin & Skates
Dorise – Guitar
Nathan – Tenor Banjo
Syd Barrett – Muse
Sometimes the Utoobage is great, sometimes it fails, but it still amazes me. I was looking for a live video of Robert Cray‘s “I Wonder,” but no dice. I’ll post this one anyway because it’s so sad and purty.
Lookout. The Prom Queen’s got a gun, and ya’ll better not call her a Prom Queen because Samantha Fish is gonna jam it down your throat, and here’s proof.
Have a great weekend, folks, see you tomorrow for more stuff.