Songs in this collection may or may not be directly related to Halloween, and it’s probably the first Halloween play list without Monster Mash. [Caveat: No copyright infringement is intended; songs posted here are for entertainment purposes only.]
Jason D. Williams is a madman on the ivories, and the video was posted on the Utoobage just a few days ago.
The Petersens‘ Sleigh Ride [2:31] is a fun take on one of my favorites.
“Listen to how perfect this is…
The Doctor, Leon, and the heir to Benny Goodman…” Leon Redbone, Dr. John and Ken Peplowski make a great trio, and Leon spelled backwards is, well, you know.
Have a great pre-holiday weekend, be back here tomorrow for some last minute shopping.
From Wiki: The Pathé Brothers of France went into the photographic business in 1896. In the early 1900s, Pathé became the world’s largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film.
[The future of the past found here.]
Leon Redbone could scat-sing better than almost anyone, and there’s proof with his cover of Tommy McClennan’s Bottle Up And Go (aka Step It Up And Go recorded by Blind Boy Fuller and many others). If someone in the audience pulled out a camera to take his photo, when the flash went off, he’d stop the song, jump for his camera and take a shot of them. He’d wait as the Polaroid image developed, (“Hmmm. Not a bad likeness”) and pick up the song right where he left it. He kept those photos, too.
“It is with heavy hearts we announce that early this morning, May 30th, 2019, Leon Redbone crossed the delta for that beautiful shore at the age of 127.”
Leon Redbone was an iconic performer who reinvigorated the music of the late 19th to early 20th century, including blues, ragtime, dixieland jazz and country. That he pulled it off in the mid 1970s is an interesting commentary of the state of music of the time (mainstream rock was sucking donkeys). You couldn’t get more retro than Leon Redbone at that time, and he stepped right into the mix.
Rolling Stone described his repertoire as “so authentic you can hear the surface noise of an old 78 rpm.” During a 1974 interview (prior to release of any album) they asked where he first played in public. Redbone responded, “In a pool hall, but I wasn’t playing guitar, you see. I was playing pool.” Apparently he was pretty good at it.
I learned of the song “Ain’t Misbehavin‘” via some sheet music my late grampa had, and I liked the tune. I’d never heard of Fats Waller before I heard Leon Redbone’s version.
In the early ’80s I saw Mr. Redbone perform at The Golden Bear (a small but famous venue with no bad seats). His props were a rattan chair, a side table with a lamp, and his guitar. He was in the middle of a song when he saw the flash of a Kodak Instamatic camera. With lightning speed, he stopped, grabbed a Polaroid Swinger and took a photo of the photographer, then sat quietly humming until the image appeared. He held it up to view.
“Ahhh. Not a bad likeness.”
Then he resumed the song exactly where he left off.
I wasn’t aware of this until today, but there is a documentary on Leon Redbone. Here’s the trailer:
“He was always mysterious, he was always coming and going. It was almost like he was there one second and he’d be gone the next… and you never knew where he’d gone or why or how he’d even left, but suddenly he wasn’t there anymore.” – Jane Harbury, Publicist.
Here’s a link to the full documentary if you’re interested. It’s only 16 minutes, but it’s worth it.
Leon Redbone, you were a breath of fresh air into the stagnant late 70s music scene. May You Rest In Peace.
Die Allotria Jazzband ist eine Combo, die 1969 in München gegründet wurde und dem traditionellen Jazz verpflichtet ist. [Allotria translates to Monkey Business.] “Wolverine Blues” was written and recorded by Jelly Roll Morton in 1923.
Two decades later, Fats Waller was playing the same style.
Nice lip-sync of a pretty song. According to the UToobage: “Myra Johnson voiced-over the girl “vocalist” sitting on the piano, who, according to trumpeter Eddie Henderson, is his mother.”
In 1975, over five decades later, Leon Redbone recorded his own version (and this isn’t it. Click the link). Mr. Redbone’s music is meant for eggs and coffee and a side of toast.
Here’s a great title from 1553: “Un Flambeau, Jeannette, Isabelle” (“Bring a Torch, Jennette, Isabelle.”) Basically, two girls are directed to create a fire hazard in a stable, someone bangs on the door to deliver cakes, but there’s a sleeping newborn so everyone better shut up.
Tuba Skinny on a hot, steamy New Orleans day, playing James Scott’s “Climax Rag” from 1914. Pay attention to the girl on cornet – she knows exactly how to do it right – and before you assume that the girl on bass drum is only there for eye candy, check this out:
That’s Erika Lewis & Tuba Skinny performing at The Louisiana Busker Fest in Abita Springs 21 April 2013. BTW, the band is from Tasmania. Now, how ’bout some Leon?