That’s a 19th Century Jack-In-The-Box, and it creeps me right out.
What’s the “weasel” and why does it go “Pop?” Hard to say, but it likely has to do with weaving yarn. When it became associated with the toy is a mystery, and why the toy became associated with fast food stumps me as well.
[Found here.]
This clip from Frans de Waal’s TED presentation amuses me (and I may have posted it previously).
The Cramps were a product of the legendary 1970s CBGB NY punk scene, as were these folks:
Okay I lied. The Two Man Gentlemen Band never played at CBGBs (which stood for Country, Blue Grass & Blues in case you didn’t know). Let’s go for one more.
Tuba Skinny is a modern day traditional classic.
Have a great weekend, folks, and we’ll be back tomorrow, rain or shine.
An outline overlay reconstructs the damaged Heidentor, a 4th century AD Roman victory monument in Austria.
[Image & caption with link found here.]
Books In Chains: Combating Book Theft in Medieval Times.
Fred Willard on Letterman 1987.
Zappa, Beefheart & Pink Floyd 1969 [via].
From the Unusual Sentences Department:
“Twenty minutes in, he stops, lifts his tail, and produces one phenomenally long and sonically impressive Super Fart.”
The Clark Brothers ca. 1948. Too slow? Jump to 02:40.
Charlie Ryan & The Timberline Riders – The B-Side of Hot Rod Lincoln: Hot Rod Hades.
This is kinda cool. It’s a Unicorn Head Squirrel Feeder, and I like the soundtrack.
How to make a cigar box diddley bow.
The Superbone begat the Firebird. Pretty ingenious in that it allows a B♭ trumpet player to play difficult keys (like F♯ major) with a slide adjustment.
[Top image: Maynard Ferguson playing a Firebird left-handed.]
Roots music performer Justin Johnson plays an electrified custom cigar box diddley bow.
Luna Lee plays Elmore James on the gayageum [found via].
The Kim Wilson Blues All-Stars. Jump to 08:20 for an impromptu jam.
Here’s some heavy duty swamp rock. Although Patrick Sweany is from Ohio, he stomps it with “Every Gun.” Zach Setchfield on guitar, Ron Eoff (?!) on bass and Dillon Napier on drums.
That should make the nut for this edition of The Saturday Matinee. Have a great weekend, folks. See you tomorrow.
The Clark Brothers at the Apollo Theater. That amazing clip was from the 1948 movie “Killer Diller.” Here’s the full version:
Bunkessa and the missus were watching the movie “Holes” this afternoon and this song played during the credits:
Dr. John Rebennack performs “Let’s Make a Better World” at Live On The Green in 2012.
Have a great Holiday Weekend folks. There’s always more to come.
Saving Daylight – The Movie. [via].
The guy that brings our mail and kills the rats in our building showed up today wearing a baseball jersey with Los Caifanes logo on it, so I asked him about it, and he told me. They remind me a bit of these guys:
Although it’s real bad advice, “Oye, Isabel” is one of The Iguanas‘ catchiest tunes. Okay, let’s go for one more, and since we’re on a latino music kick tonight, here’s some addictive Mambo rhythms from Tito Puente.
Have a great weekend, folks, and we’ll see you back here on Sunday.
[Image found in here.]
There’s nothing wrong with that student’s sketch, because it has little to do with artwork. Duplicating individual squares of a grid is a geometric exercise in hand-eye coordination and nothing more.
On the other hand, the sketch is awesome. Ignore the grid and mock the assignment. Realism is what cameras are for.
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The key to drawing is to sketch what you see, not what you think you see. Forget what it is you’re trying to draw, squint your eyes and sketch out the dark spots, then add the medium spots. The white spots will figure it out on their own.
Look at a tree. It’s not a flat lollipop, and when you draw it, make sure there are holes in it for the birds to fly through.
Grampa Strutts gave me that advice a long time ago. Then he showed me this book. Download a copy before it’s gone and study it. It’s Beyond the Valley of Awesome.
[Related post here.]
Tacky Raccoons 