You might still be able to find this great parody on the internest if you know where to look. It’s one of those rare recordings that you could play in the background at a party and few would notice until someone says “Wait a minute! That’s not Bob!”
Copyright lawyers knocked it down years ago and spoiled the fun. Go figure.
I’d love to know who those guys were and what that bass sounded like. Gimme a heads up with a link if you know.
[Found here.]
Postmodern Jukebox (featuring the amazing vocals of Morgan James) always gets my attention. Nice ’60s kinda sound happens here.
“Watermelon Man.” Herbie Hancock teams up with Bill Evans, Al Foster and Miles Davis on his 1962 soul/jazz/funk classic.
One of my favorite Zappa songs, “Black Napkins,” performed on the Mike Douglas Show in 1976. Kinda reflects my mood these days, but I’ll snap out of it. Meanwhile, have a great weekend, and for those of you in the midwest, have fun with the cicadas.
The Cabin Kids from “Teacher’s Beau” in 1935. [via].
Too Many Zooz crank it.
Trumpet player Matt Doe, baritone saxophonist Leo P. and drummer David “King of Sludge” Parks have been rocking the [NYC] subways since August [2013]. Doe, 21, and Leo P., 22, first became friends while attending the Manhattan School of Music, while Leo P. and Parks played together in another busking band, the Drumadics. They all came together with a simple goal: to make some extra cash [via].
[h/t Bunkessa]
Lucky Chops is/are a bit more elaborate and include some cool moves (the trombone player even does the Mashed Potato).
Not bad for buskers. Have a great weekend, and we’ll see you shortly.
This exclusive video depicts Armstrong and his All Stars recording the master take of “I Ain’t Got Nobody,” as well as silent footage of them listening to the playback. Also featured in the clip are Trummy Young, trombone, Peanuts Hucko, clarinet, Billy Kyle, piano, Mort Herbert, bass and Danny Barcelona, drums.
I always thought Kid Ory came out of King Oliver’s Creole Jazz Band (along with Johnny Dodds, Baby Dodds and Louis Armstrong) but according to Wiki:
Ory had one of the best-known bands in New Orleans in the 1910s, hiring many of the great jazz musicians of the city, including cornetists Joe “King” Oliver, Mutt Carey, and Louis Armstrong, who joined the band in 1919; and clarinetists Johnny Dodds and Jimmie Noone.
So how ’bout some more in the same vein? Trombone Shorty’s tribute to Louis Armstrong ain’t bad, and he’s got one hell of a breathing trick.
[Confidential to Calo – That one’s for you. Condolences.]
Have a great weekend, folks, and be back here tomorrow for more, you know, stuff.
The National Blues Museum just opened in St. Louis, Missouri. [via]
In December 1969, Andy Williams (aka Mr. Moon River) got down and funky with The Temptations. He looked mad, dammit. [via]
The Continentals (Richard Frank, Lead Guitar; Robert Sarlo, Rhythm Guitar; Ricky Mangone, Rhythm Guitar; Joseph Messina, Drums and Ralph DiForio, Vocals and Bass Guitar) recorded July 9, 1961 on Ted Mack’s Original Amateur Hour.
I dare you to Lip sync Surfin’ Bird. Now sing it without a backup band. Have a great weekend, folks, and we’ll be back tomorrow with more inanity than you can stand.
Occasionally I google three random words just to see what turns up. “John headlight insect” produced this, and I’m going to try it tomorrow.
A Fallen Tear – The El Dorados [1956 Vee-Jay Records].
A Fallen Tear – The Marcels [1961 Colpix Records].
Beep … beep … beep … THIS equipment is evil.
The Chalk Police have been summoned.
Look out, Cannes. Look out Oscars. There’s an old kid in town.
[Top image from here – Melchoir Lorck‘s “Tortoise above the Venetian Lagoon” 1555].
“16 Shells From A Thirty Ought Six” is one of my Tom Waits favorites. Pure industrial grade Howlin’ Wolf. This clip was from his 1988 film dérangeant Big Time.
Howlin’ Wolf and other classic bluesmen were promoted by The Rolling Stones.
Great live version of “Jimi Thing” by The Dave Matthews Band in 2011. Jump to 07:00 for some awesome funk sax by Ron Holloway.
The South Memphis String Band is a bit traditional and a bit unorthodox in their approach to country bluegrass and blues. Here’s their version of “Jesse James.”
“Jesse James” was first recorded by Bascom Lamar Lundsford in 1924. He played and promoted traditional Appalachian folk music and styles from the previous century.
The Allman Brothers‘ version of “One Way Out,” recorded live on 2 November 1972 in Hempstead, New York:
“Ain’t but one way out baby,
Lord I just can’t go out the door;
Ain’t but one way out baby, and
Lord I just can’t go out the door;
‘Cause there’s a man down there,
might be your man I don’t know.”
Here’s a brief history of the song with links to earlier recordings.
Have a great weekend, folks. More fun is on the way.
Tacky Raccoons 