
In case that image puzzles some of you, it’s a reference to the greatest paranoia/spy TV show ever.
[Image from here, h/t Carl L. via email.]

In case that image puzzles some of you, it’s a reference to the greatest paranoia/spy TV show ever.
[Image from here, h/t Carl L. via email.]
I had something similar that shot plastic pellets. Since there were no refills, you had to chase them down after spraying the playground. (Not sure, but I think the bad guy is Otis from The Andy Griffith Show.)
Serbian trio featuring Maestro Stefan Ilic on fiddle [via].
More tractor? Don’t know anything about this one except it’s an Austrian Steyr 80A Sincrobulli.
Robbie Robertson remakes The Band‘s classic The Weight, with performers from around the world. That song is one of my all-time favorites.
We have some tough times ahead, and the best thing to do is to ignore the newsmedia fear-mongers. The biggest threat is not the Wuhan v-word, but the overwrought government reactions to it, so work with what you got until the storm passes… and it will.
See you back here tomorrow.
Cool animation required 600 pancakes [found here]).
“Bassist Keith Ferguson is ‘playing’ one of Jimmy’s 6 string guitars upside down.”
The original Fabulous Thunderbirds in 1980:
Jimmie Vaughan (guitar), Kim Wilson (vocals/harmonica), Keith Ferguson (guitar) and Mike Buck (drums).
If Things Could Talk (1974)
Ry Cooder – guitars, vocals; Russ Titelman – bass; Jim Keltner & Milt Holland – percussion, drums; Bobby King, Gene Mumford & Cliff Givens – backup vocals. (Mumford & Givens sang with The Dominoes.)
40 years later:
Taj Mahal & Ry Cooder play Blind Willie McTell‘s 1928 Statesboro Blues in 2014.
Have a great weekend, folks, and we’ll sure do something or other tomorrow.
11 March 2011 – The Great East Japan Earthquake (video at Sendai Airport) measured 9.0–9.1 on the Richter Scale. It moved Honshu (the main island of Japan) 8 feet east.
It was the most powerful earthquake ever recorded in Japan, and the fourth most powerful earthquake in the world since modern record-keeping began in 1900. The earthquake triggered powerful tsunami waves that may have reached heights of up to 40.5 meters (133 ft) in Miyako in Tōhoku’s Iwate Prefecture, and which, in the Sendai area, traveled at 700 km/h (435 mph) for up to 10 km (6 mi) inland. Residents of Sendai had only eight to ten minutes of warning, and more than 19,000 were killed, many at evacuation sites, more than a hundred of which washed away. [Wiki]
[Watch the whole thing. Video found here, via here.]
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That’s a tough one to follow, but let’s try this.
Long intro, good story by The Steve Gibbons Band (1977). If you don’t know who he is, check out his credentials. I bought one of his albums for his cover of Chuck Berry’s “Tulane.”
Keb’ Mo’ plays Son House‘ “Walkin’ Blues” (1930), accompanied by musicians from six countries. It’s part of the “Playing For Change” video series.
Juzzie Smith introduces his One Man Band, and it’s amazing. I can play harmonica and guitar, but my brain won’t let me do both at once.
Jeff Beck (guitar), Tal Wilkenfeld (bass), Beth Hart (vocals), Lizzie Ball (violin) and Jonathan Joseph (drums) crank out Freddie King‘s 1971 classic “Going Down” at Crossroads Guitar Festival 2013. What a lineup.
That should hold y’all for a bit. See you back here tomorrow for something or other.
Rats & Star (ラッツ&スター, Rattsu ando Sutā), formerly called Chanels, was a Japanese pop group that specialized in R&B & soul music… in blackface. Good stuff otherwise. {Had to update the vid. Original was sent to the YouTube gulag.]
Oh!Sharels is also Japanese and also do some nice retro covers, like this 1959 hit by the Flamingos (which was a cover of the song from 1934).
How ’bout some Japanese rockabilly? Not sure just what to make of Shelly (aka Shelly Trip Realize, aka Tinc), but the band rocks.
Have a great weekend or something. See you back here tomorrow for stuff.
Persistence of Vision III is an awesome vid by Ismael Sanz-Pena [h/t Mme. Jujujive].
Cool artistry, cool story, and Ricky Syers is interesting.
The legendary Taj Mahal & The Phantom Blues Band covered Bill Doggett‘s 1956 hit Honky Tonk “filmed at Yoshi’s SF grand opening.” (Yoshi’s had grand openings in 1972, 1979, 1985 & 1997, so take your pick.)
ZZ Top is one of the greatest 3-man blues-rock freight trains ever, and here they are in their prime.
Have a great weekend, folks. We’ll be back here tomorrow, rain or shinola.
That’s some brutal stuff to play, and I like it. None of those players are reading sheet music and don’t need to stare at the keys. I never learned piano, but the ambidextriousity of it all amazes me.
That’s Terry Miles on the 88s, and apparently the girl in the checkers is his daughter. Security Goon tried to stop the fun. (Here’s another fun romp.)
Will Bradley, Ray McKinley & Freddie Slack had some fun back then. At 01:15 is the WB/RMc logo on the bass drum. Not sure, but that might be a cameo by Slim Gaillard at 02:36.
Commander Cody & His Lost Planet Airmen covered Bradley & McKinley’s “Beat Me Daddy Eight To The Bar” in 1977. Here’s a more recent vid.
Some might dismiss it as geezer rock, but it’s actually pre-pre-geezer. The style dates to the 1890s.
Don’t touch that dial, stay tuned & have a great weekend, folks.
Yeah. That’s the great Taj Mahal with the great Ry Cooder covering the great Blind Willie McTell‘s great 1928 recording of Statesboro Blues in Nashville Tennessee, September, 2014.
The Allman Brothers covered the same great song.
Speaking of jamming, the great Buddy Guy still does it better than most.
Have a great weekend, my friends, see you back here tomorrow.
Just a few more shopping days left. Go for it [via].
“We found the happiest lady [Han Li] in China. We told her that you don’t need a real hula hoop to have fun. She agreed.”
Khruangbin made me smile [found here].
Sam Chatmon (1897-1983) sang his version of a classic cheatin’ song in 1978. Apparently the vid was filmed by Alan Lomax.
The origin of the song “Make Me A Pallet On The Floor” is fuzzy and dates to the 1800s. It appeared in sheet music in 1908 in “Blind Boone’s Southern Rag Medley No. One: Strains from the Alleys.“
Now check out John William Blind Boone‘s amazing story…
Magic Slim, aka Morris Holt (1937-2013). Nice Chicago blues [via].
Magic Slim was forced to give up playing the piano when he lost his little finger in a cotton gin mishap. He first came to Chicago in 1955 with his friend and mentor Magic Sam. The elder (by six months) Magic (Sam) let the younger Magic (Slim) play bass with his band and gave him his nickname.
Have a great weekend folks. Be back here tomorrow for more stuff.

That’s my late dad’s stamp that he put on most correspondence.