The Cadillac Three (originally known as The Cadillac Black) have been around a while with several albums with hits on the country charts. Good stuff.
A combination of Louis Prima, Little Richard, Jackie Wilson, Chubby Checker and Joey Dee, Si Cranstoun arrived on the London scene in the early 1990s to keep the ’40s to ’50s rock n’ soul music styles alive.
Wild cover of The Night Caps‘ 1959 hit. From the Uto0bage comments:
I must have a lot of time flies buzzing around because the days and weeks are blazing by. Maybe that’s a good thing, but I have my doubts. Have a great weekend, consider what you’ll do IF and WHEN, and we’ll se you back here tomorrow.
“This whale had breached a couple of times before this and many times they’ll just keep doing it. I went below deck to shoot from a porthole close to the water line. That’s what gives this amazing perspective of looking up at the whale. Since the boat is closer, it should look bigger, but the whale is huge! If I’d been the fisherman, I’d probably need some new underwear.”
Cadillac Walk, Moon Martin (1978)John David “Moon” Martin had a minor hit with Cadillac Walk (as recorded by Willie DeVille) and also wrote Robert Palmer‘s mega hit Bad Case of Loving You. Both songs first appeared on Martin’s 1978 album Shots from a Cold Nightmare but received little attention. Popular in the UK but relatively unknown in the US, he opened for / played with the likes of Janis Joplin, Linda Ronstadt and Jimi Hendrix. Many of his songs had “moon” in the lyrics, hence the nickname.
From Wiki: The Pathé Brothers of France went into the photographic business in 1896. In the early 1900s, Pathé became the world’s largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film.
[The future of the past found here.]
Leon Redbone could scat-sing better than almost anyone, and there’s proof with his cover of Tommy McClennan’s Bottle Up And Go (aka Step It Up And Go recorded by Blind Boy Fuller and many others). If someone in the audience pulled out a camera to take his photo, when the flash went off, he’d stop the song, jump for his camera and take a shot of them. He’d wait as the Polaroid image developed, (“Hmmm. Not a bad likeness”) and pick up the song right where he left it. He kept those photos, too.