Category: Saturday Matinee

Saturday Matinee – Jody Pendarvis, David C. Roy, Toby Lee, Matt “Guitar” Murphy & James Cotton

Jody Pendarvis of Bowman, South Carolina, decided that the town needed an attraction to boost the local economy and created the UFO Welcome Center adjacent to his mobile home. Caricatured as a redneck crackpot (by Steve Colbert and others) Pendarvis is nothing of the sort, but he plays along anyway.
[h/t Susan M. who was there earlier this week.]

From YouTube description:
“A self-taught artist with a background in physics, David C. Roy has been creating mesmerizing wooden kinetic sculptures for nearly 40 years. Powered solely through mechanical wind-up mechanisms, pieces can run up to 48 hours on a single wind.”
[h/t Ma S. via FB.]

Born in Oxfordshire England in 2005, Toby Lee played Zack Mooneyham in the New London Theatre production of School of Rock the Musical in 2016 and was named UK Young Blues Artist of the Year in 2018. Joe Bonamassa called Toby Lee “a future superstar of the blues.” [h/t Pam M. via FB]

This vid from 1963 features Matt “Guitar” Murphy, Willie Dixon, Memphis Slim & Billy Stepney, and is not nearly as long as it should be.

James Cotton was one of the greatest harp blowers of all time. His 1968 classic The Creeper was coopted by Richard “Magic Dick” Salwitz of the J. Geils Band and released as Whammer Jammer in 1979.

That should hold you for a bit. Have a reverent Easter, we’ll be back later.

Saturday Matinee – Feeling Through (short film), John Hiatt & the Jerry Douglas Band, Cowboy Jack Clement & Jerry Lee Lewis

A homeless teen meets a deaf blind man in Feeling Through.

John Hiatt & the Jerry Douglas Band 2021. Hiatt’s been around for a long time, glad to see he’s still recording.

Cowboy Jack Clement was one of those guys who seemed like he’d be around forever, but then one day he’s gone. He played with and produced for some of the biggest names in both rock n’ roll and country music, and reportedly “discovered” (and recorded) Jerry Lee Lewis while Sun Records founder Sam Phillips was on vacation.

Yep. That’s The Killer in his heyday, and he’s still going.

Running short on post time here, but we’ll see you tomorrow for something or other.

Saturday Matinee – Utopia, The Nicholas Brancker Band, Bernard “Pretty” Perdie & Co., and The Cleverlys

Utopia (2019) is a short by filmmaker Kosta Nikas. A man lives in a society where citizens police each other with their mobile phones. [Found here.]

The Nicholas Brancker Band plays 60’s-70s spouge, a style that was “Barbados’ answer to ska in Jamaica and calypso in Trinidad.” I’d heard before but never knew it had a name until recently (thanks to Queen H.). Jump to 01:10 for the music.

Tighten Up (Part 1) is a cover of the classic 1969 Archie Bell & the Drells hit. Music starts at 0:40. This all-star lineup features:

Bernard “Pretty” Perdie – drums
Chuck Rainey – bass
David T. Walker – guitar
Sonny Phillips – organ
Bill Bivens – tenor sax
Virgil Jones – trumpet
Pancho Morales – percussion
Lou Donaldson – alto sax

“If Earl Scruggs, Dolly Parton, and Spinal Tap spawned a litter of puppies, it would be the Cleverlys.” – NYT

As long as we’re doing covers, The Cleverlys‘ take on The Proclaimers‘ 1988 song is a good’un. A lot of the songs they cover are parodies of a sort (I expected to hear “pterodactyl” in the refrain) but they play I’m Gonna Be (500 Miles) straight… mostly.

There’s a hunderd other things that I can think of to post, but I gotta wrap it up and ship it out. Have a great weekend, and you know what to do.

Saturday Matinee – A Banana, Бра́во, The Mighty Mighty Bosstones & Cam Cole

This banana comes with a cool Django Reinhardt vibe.
[Found here.]

Marty Robbins goes to Russia? Бра́во [Bravo] was founded in 1983 in Moscow, was one of the most popular underground acts.
Ветер знает [The Wind Knows] sounds just like the real deal. (There’s an English version here.)

The Mighty Mighty Bosstones‘ song intro has been stuck in my head for months and now that I’ve rediscovered it I can finally sleep at night. This live version is from 2011.

Cam Cole, busker, bluesman, rocker, recording artist, and “the most impressive one-man band you will ever see” nails the blues to your forehead and plugs it into your ears. This guy is definitely one to watch for.

Have a great weekend, something else will show up here tomorrow.

Saturday Matinee – The Specials, Rude Pride & The Interrupters

The Specials in 1979, with A Message To You Rudy.
From the Utoobage comments:

“For those who do not know the story already, the “rudy” of this song is not a person. In fact, it refers to the slang term “rude boy” (rude boy-rudie-rudy) that originated in Jamaica in the early ’60s to define a specific sub-culture that used to listen to ska and rocksteady. As you can imagine, the term “rude” refers to the not exactly in-line-with-the-law lifestyle they had. [..] This particular subculture heavily influenced the mods and the skinheads, particularly in the look. And in in regards of music too , obviously, since the genre Oi! is heavily influenced by ska.”

Rude Pride is/was a band from Madrid (2013-2020) that played 1970s style Oi! Although the sub-genre is often misconstrued as music by racist pro-fascist bands, this is not one of them. I just like the song. (BTW, that’s the Flag of Jamaica on the wall in the background.)

Keeping with the accidental theme, let’s go with some nasty ska.
The Interrupters cover Billie Eilish’ Bad Guy, and their version is better. Duh.

I think that’ll do for now. We’ll see what happens tomorrow.

Saturday Matinee – Richie Kavanaugh, Indiara Sfair and Guilherme Tosin, Justin Johnson & G.E. Smith

“Like Aon Focal Eile, I had no idea how big that would be. I was afraid I’d get a slagging from the Irish speaking people but the boss man in Glór na Gael wrote me a very nice letter thanking me for having a song with a full Irish title in the charts.” Richie Kavanaugh

Brazil native Indiara Sfair & Guilherme Tosin cover Robert Johnson’s Walking Blues. Sfair is/was a member of Brazilian blues band “Milk’n’Blues.”

Justin Johnson‘s axe is a shovel, and he sells ’em, too.
Utoob comment: “Just imagine what he could do with a backhoe.”

G.E. Smith gets all swampy and stuff with a tribute to late bassman Tom “T Bone” Wolk. Both backed Hall & Oates and were the core of the SNL Band (1985-1995).

Have a great weekend, folks, see you back here tomorrow.

Saturday Matinee – Joey Ramone, Geddy Lee, Stanley Clarke & The Delvon Lamarr Organ Trio

Joey Ramone‘s song and stop-motion vid New York City were made and released in 2012, 11 years after his death. The song was an overdub of a demo tape. Tommy Erdlai (Tommy Ramone) is in there somewhere (I think that’s him at 02:57).

Geddy Lee cranks it. I should have paid more attention to Rush; I liked the sound but couldn’t stand the vocals.

Stanley Clarke‘s Touch, live at the Newport Jazz Festival (2003). Another amazing bass solo (with some annoying narration stuck in the middle of it).

Delvon Lamarr – Hammond B3 organ
Jabrille “Jimmy James” Williams – guitar
David McGraw – drums
The Delvon Lamarr Organ Trio (aka DLO3) grooves it. Someone in the vid comments said the guitar sounds like Hendrix doing jazz. Someone else noted that the bassman is playing with his feet.

Hope those of you getting hammered by the record breaking cold get some relief soon, and that the following thaw doesn’t make it worse. We’ll all be here tomorrow. See you then.

Saturday Matinee – This Is Hormel (1964), The Rave-Ups, Tom Waits, Eric Clapton & Steve Winwood, and Freddie King

Everything you ever wanted to know about Hormel… up to 1964. [h/t SL]

The Rave-Ups got some traction for their work in the movie Pretty In Pink (1986). Their cover of the Byrds‘ You Ain’t Goin’ Nowhere is pretty good, too.

Tom Waits does rockabilly his way, and the intro on his live version is pure awesome.

Eric Clapton & Steve Winwood tell the truth (2009).

Any Freddie KIng jam makes me smile, and Boogie Funk (ca. 1968) matches what’s been going on in my brain lately. (I’m not sure that’s the correct song title – it might be Feelin’ Good.)

Have a great weekend, we’ll see what happens tomorrow.

Saturday Matinee – The Corridor Crew, Mad Sin, Lara Hope & The Ark-Tones and Moon Hooch

“Disclaimer: This video is a comedic parody and is not owned, endorsed, created by, or associated with the Boston Dynamics company.”

Yeah, but it could happen. Video is by the Corridor Crew.

Quirky vid, catchy song, and an f-bomb, Mad Sin plays “a combination of rockabilly, punk, white-trash blues and tongue-in-cheek sarcasm.”

Lara Hope & The Ark-Tones do the roots rock retro nicely.

Too cool not to share. Moon Hooch got stuck in a traffic jam in France and decided to make the best of it. Most popular Utoob comment? This:

*marches all the way to front of traffic jam
*four car collision accident no survivors

So there you go. Have a great weekend, try out this Superbowl Chili and lemme know how fast it goes.

Saturday Matinee – Blender CG Compilation, Richard Hell & The Voidoids, Mountain Music & Joe Bonamassa

I’m on the Blender email list, and occasionally they link to video tutorials/demos. I don’t use the CG program, but its capabilities blow me away. The guy who compiled the animations ran out of audio at about 03:10 but dealt with it pretty well.

In 1965, David Hoffman filmed some genuine hill music from the mountains of North Carolina for a television documentary. Music starts at 04:28. (If you want to hear the four and a half minute lead in, start at 00:00.) Hoffman filmed those same musicians in the best clogging video you’ll find.

This animated cartoon music video of Richard Hell and the Voidoids‘ single “The Kid with the Replaceable Head” (Radar, 1979) was created by Washington D.C. kid’s show “Pancake Mountain.” The song was written by Richard Hell, and this recording was produced by Nick Lowe.

2009 Joe Bonamassa sounds a lot like 1974 Robin Trower. I like it.

Have a great weekend or something. More to come.