The Fire House Five (plus Two) play “Red Hot River Valley” (1951). The band was made up of members of Disney’s animation department and were fairly successful.
Trombone Shorty on trumpet with “Hurricane Season” (2010) This New Orleans funk jazz mix works.
That should hold you for a while. More stuff coming down the pipe, so see you tomorrow.
Karen Marie‘s take on Little Willie John‘s “Fever” (done in 12 styles with Postmodern Jukebox). It kept my attention, even though the video erroneously credits Peggy Lee for the song. LWJ recorded it in 1956; two years later Peggy Lee covered it.
Here’s the great Buddy Guy and his take on the song. And with that we’re out. Have a great weekend, folks. See you soon.
All three take me back to the Land of the Onions and the Eels and the days of my youth. Great modern retro rock for this edition of The Saturday Matinee. Have a great weekend, folks, and we’ll see y’all back here tomorrow.
Amazing bubble show by Ana Yang, wife of Canadian bubble master Fan Yang [via].
Summer fun in the UK getting drenched with street water. [Related post here.]
I just spent an inordinate amount of time trying to find a music video that meshes with bubbles and water. Muddy Waters works, but then I found this gem:
One of the most successful groups in popular music, they began playing R&B in the early to mid-1960s. The name of the band (and members) changed several times, but eventually settled on “The Pink Floyd Sound,” taken from the names of two blues musicians, Pinkney “Pink” Anderson and Floyd “Dipper Boy” Council (click each name for links to recordings on the Utoobage). Dick Clark introduced “The Pink Floyd” on American Bandstand in 1967, their first appearance in the U.S. Here’s the lineup (with ages) at the time of the filming:
Pink Floyd had my attention from “Ummagumma” through “Wish You Were Here,” but they began to lose me when their style began drifting too far into the mainstream pop radio culture of the late 70s: the overbearing and over-produced arena-art-rock years.
Artists Ivan Puig and Andrés Padilla Domene (Los Ferronautas) built their striking silver road-rail SEFT-1 vehicle to explore the abandoned passenger railways of Mexico and Ecuador, capturing their journeys in videos, photographs and collected objects.
Between 2006 and 2011, the artists traveled across Mexico and Ecuador in the SEFT-1 (Sonda de Exploración Ferroviaria Tripulada or Manned Railway Exploration Probe). In a transdisciplinary art project, they set out to explore disused railways as a starting point for reflection and research, recording the landscapes and infrastructure around and between cities. Interviewing people they met, often from communities isolated by Mexico’s passenger railway closures, they shared their findings online, seft1.com, where audiences could track the probe’s trajectory, view maps and images and listen to interviews.
I was talking to a younger co-worker today, and out of the blue he asked what my favorite band was. Good question with an easy answer.
My response was Frank Zappa, any lineup post-Mothers, beginning with “Apostrophe.” Jazz, rock, & pop, Zappa had all genres covered, and he did them all well (especially R&B DooWop). “Peaches En Regalia” is one of my favorite songs [00:54:00].
Zappa was one of the few popular musicians/composers that I would have liked to have met face-to-face, but since I’m not in the industry, and that Frank Zappa passed away years ago, it’s not going to happen.
Dweezil & Co. plays Frank. Jump to 0:2:45 for the start of awesome (and yes, according to FZ, Dweezil was named after his mother’s little toe).
Have a great weekend, folks, and be back here tomorrow.