
[h/t Pam M.]

[h/t Pam M.]

Show Stopper, The Cashmeres (HEM Records, 1965) There is little information about this soul group from Washington D.C. (not be confused with The Cashmeres, a doo-wop group from Atlanta GA, or The Cashmeres from Brooklyn NY, or The Cashmeres from Portland OR). A 45rpm copy of Show Stopper is a rarity; according to Discogs, prices range from $680 to $1800 depending on condition.
Almost everything I forgot to post.
Awesome. Drone Photos of the Year.
Brickit is an app for Legos [h/t Miz Beth].
“I look like the Queen of England,” proclaimed Betty.
ICYMI: Martha’s Vineyard Facebook group was bitching at each other.
[Top image by Terry Border from his series Bent Objects.]
From the Archives: 1 year ago. 5 years ago. 10 years ago.

[Found here.]
The Picasso of circus art.
Fred G. Johnson’s (1892 – 1990) banners were used to illustrate A Century of Progress for the 1933 Chicago World’s Fair His artwork also advertised the Ringling Brothers, Barnum & Bailey and Clyde Beatty circuses.
Hired by banner painter Harry Carlton Cummins to clean equipment and stick up banners, Cummins taught Johnson how to paint them, which he did, producing as many as four a day. The art is fast, subjective and made to deadline.
Not to be confused with the great Fred Johnson, bass singer for The Marcels.

It’s kind of disgusting, but here’s How the Human Blockhead Trick Works.
Image captured by American photographer Joel-Peter Witkin.
Much of his work is twisted and creepy, presumably due to what he witnessed as a child, and NSFK. You’ve been warned.
[Found here.]

He was 30 years old when he ripped up The Judy Garland Show in 1964. From the Utoobage comments:
“The ‘Best Boy Dancer’ happened to be the choreographer for this dance. His name is Bobby Banas. He also played Joyboy in Westside story.”
I’d say the girl did a bang up job but she got no credit.
Al Jackson Jr., Steve Cropper, Duck Dunn, Booker T. Jones,
aka Booker T. & the M.G’s, groovin’ in 1971.
Zontar Venus. You’re on you’re own with this one. [h/t Gord S.]
Modern soulfunkgroove (with some serious technical music skills embedded).
MonoNeon: lead vocal, background vocals, guitar, bass;
Davy Nathan: keyboards, drum programming.
Guess that’ll do for now. Hope the summer heat is cooling down to a more tolerable level for y’all, and remember: it ain’t the heat, it’s the humanity. See you back here tomorrow.

The House at the Last Lantern
“Doing some research, I happened to come across a rare cache of stills from a never completed film by Hans Richter [1888-1976] which is possibly the only example of an actual dadaist horror film. It seems the film was a parody of sorts of Goethe’s The Sorrows of Young Werther, but is ostensibly a tale of the life of Gustav Meyrink. The title of the film was to be ‘The House at the Last Lantern’.” – Lanny Quarles
Date of the movie stills unknown, possibly late 1920s. More images with story here.
[Via this isn’t happiness.]
Some of these are dated, and yeah, that was our experience with The Omigodmicron. The one at bottom right was an experiment – I took an arbitrary section of my recent WebEx Meeting Notes, ran it through a photo-morph and the alien from Planet of the Mufflers appeared.