I Really Love You, The Stereos (1961) Formed by members of The Buckeyes, The Stereos were an R&B group from Steubenville, Ohio, and recorded from 1959 through 1968. Their biggest hit, I Really Love You, was later covered in 1983 by George Harrison.
Joe Louis Walker at Broadway Studios, San Francisco, December 1999. Walker has recorded with Ike Turner, Bonnie Raitt, Taj Mahal, and Steve Cropper, opened for Muddy Waters and Thelonious Monk, hung out with Jimi Hendrix, Freddie King, Mississippi Fred McDowell, and was a close friend and roommate of Mike Bloomfield, and that’s some serious cred.
Nice set for St. Medarus Day. Celebrations will commence on the front porch whenever you get here. If I’m not out you’ll need to holler at the door because the doorbell doesn’t work.
“A hand drawn animated documentary, following the rhythms of a day in Yorkshire. It captures the sound of Yorkshire, from its multicultural and bustling cities like Bradford and Sheffield, to the delicate sounds of birds in the country side and the hypnotic rhythm of the motorways and train tracks.”
In 2014, Witchita Trip covered Conway Twitty & Loretta Lynn: “Ya, it has a better groove. That’s Wichita Trip. The two singers and I have played together for about 15 years. There’s no country bars so we end up playing with rockabilly and blues bands, it’s not a great fit. Barb and Rupert have been singing together for about 30 years.” – Gorehound, guitarist
Los Straitjackets play definitive roadtrip cruisin’ music and more. “The funny thing about this band is when the band started I thought it was just going to be for fun,” says founding guitarist Eddie Angel. “I thought we’d play once a month in Nashville and our friends would come out and laugh at us. Ironically, all the other bands I was in, the ones I took seriously, crashed and burned and the one I thought was just for fun became my job.” – Houston Press
[h/t Taminatorpgh]
Austin blues rocker Sue Foley plays one mean Texas shuffle.
Been a short week all around for me, starting with Memorial Day on Monday, then waking up on Friday convinced it was Saturday until about 3pm, so I got two 3-day weekends in a row by accident. See you on the porch around the crack of noon and well discuss time travel.
Zoom Zoom Zoom, The Collegians (1958) A hit for the Collegians, the intro to this song was adopted by the Marcels in 1961 for their classic version of Blue Moon.
Family in front of shack home. May Avenue camp, Oklahoma City. July 1939.
You Didn’t Try To Call Me, The Mothers of Invention (1968) Track 8 of TMOI‘s debut album Freak Out! – a double record set of songs composed by Frank Zappa that won the Grammy Hall of Fame Award in 1999, and ranks at No. 246 on Rolling Stone magazine’s 2012 list of the 500 Greatest Albums of All Time.
[CORRECTION: Taminatorpgh noted that this version of You Didn’t Try To Call Me is from the 1968 album Cruising With Ruben and the Jets. The original version from Freak Out! is here. More in the comments below.]
[Top image from Shorpy, cropped and colorized: “July 1939. ‘Family in front of shack home. May Avenue camp, Oklahoma City.’ Photo by Russell Lee for the Farm Security Administration.”]
1987 claymation video by Aardman Animations features the voice and piano of Eunice Kathleen Waymon, aka gospel / jazz / R&B / soul singer Nina Simone, with a song from 1958. She changed her name to elude family members and play “the devil’s music” in an Atlantic City nightclub. The management told her that she would have to sing to her own accompaniment, and that launched her career as a jazz vocalist.
“What’s your band’s name?”
“The High Numbers.”
“The who?”
“Yes.”
Too far south to see this weekend’s aurorae, and I hope everyone who can survives the EMT barrage. I’ll take the event as a good omen, and yet another damn good reason to do some porch sitting tomorrow.
See you then.
Crackin’ Up, GA-20 (2023) One of the best roots rock blues bands to come out of Boston (or anywhere) in recent years, GA-20 consists of Matt Stubbs / guitar, Pat Faherty / guitar, lead vocals & gofro, Tim Carman, drums. The song is a cover of a 1959 Bo Diddley recording.