Mind Your Own Business, Hank Williams (1949)“The song’s lyrics were likely inspired by the singer’s own tempestuous relationship with wife Audrey Williams and the buzz it created. […] Hank had cut several duets with his wife Audrey, who by all accounts had limited singing talent.” – Wikipedia
Dance of the Rona, Shardcore (2020) from The Sounds of Covid-19“NIH released the DNA sequence of Covid-19, so I decided to convert it into musical notes and hear what it sounds like.”
The excerpt is from the .midi file download, speed x2, and chopped down to six minutes. I like the uncut electromix version better.
Nestlé Australia decided its “Red Skins” candy might offend some people so they renamed it “Red Ripper,” the nickname of serial killer Andrei Chikatilo.
Filipino Box Spring Hog, Tom Waits (1999) Album: Mule VariationsIf you don’t know who Tom Waits is, I truly feel sorry for you. Redeem yourself by clicking on this.
From the Dept. of Rare Honesty:
I received a letter from USAA this week.
“Attached is a check for $53.12. This amount represents a refund for all finance charges and fees that should have been reimbursed, as well as interest of $50.22.”
Apparently, the amount “disputed” was $2.90. Assuming 7.5% compounded interest, it dates to 1980. No idea what I “disputed.”
I Love You For Seventy Mental Reasons, Red Ingle & the Natural Seven (1947). Video here.Ernest Jansen “Red” Ingle (1906 – 1965) was an American musician, singer and songwriter, arranger, cartoonist and caricaturist. He is best known for his comedy records with Spike Jones and later as Red Ingle and The Natural Seven.
“It is with heavy hearts we announce that early this morning, May 30th, 2019, Leon Redbone crossed the delta for that beautiful shore at the age of 127.”
Hapa Haole Hula Girl (My Honolulu Hula Girl), Alfred Apaka with Danny Stewart’s Hawaiians (1951) Decca Records“Alfred Aloha Apaka (1919–1960) was one of the influential performers in the history of Hawaii’s popular music. Although he recorded for less than a decade, Apaka set the standards for modern Hawaiian music with his joyful, baritone vocals and highly entertaining performances.” (BTW, “hapa haole” doesn’t translate to “Honolulu,” and is also a style of music.)
Riff City, Slim Gaillard (1946) Bel-Tone RecordsGaillard could play several instruments and managed to turn the performance from jazz to comedy. He would play the guitar with his left hand fretting with fingers pointing down over the fingerboard (instead of the usual way up from under it), or would play credible piano solos with his palms facing up.