Jared Dines commissioned the design of a 17-string guitar, paid $1,200 for it, then learned that it was made in China for $400. Pissed him off, so he destroyed it. He then ordered this 18-string from a legit Australian company. Nice catchy tune…
The Baboons‘ “It’s Dark” has a solid (but unattributed) Howlin’ Wolf groove, so let’s go there.
That’s Willie Dixon on bass. He wrote, arranged, produced, played and sang on some of the most influential blues standards in modern history, so it’s really a Dixon Groove.
Have a great weekend, folks. See you back here when you’re ready.
Here’s Tom Waits‘ response when asked by NPR, “What is the most interesting recording you own?”
“It’s a mysteriously beautiful recording from, I am told, Robbie Robertson’s label. It’s of crickets. That’s right, crickets. The first time I heard it … I swore I was listening to the Vienna Boys Choir, or the Mormon Tabernacle choir. It has a four-part harmony. It is a swaying choral panorama. Then a voice comes in on the tape and says, “What you are listening to is the sound of crickets. The only thing that has been manipulated is that they slowed down the tape.” No effects have been added of any kind, except that they changed the speed of the tape. The sound is so haunting. I played it for Charlie Musselwhite, and he looked at me as if I pulled a Leprechaun out of my pocket.” [via]
Rag’n’Bone Man’s first hit single, “Human“, was released on Columbia Records in July 2016. It peaked at number one in the Official Singles Charts in Austria, Belgium, Germany, and Switzerland. It was certified Gold in Austria, Belgium, Germany, Italy, the Netherlands, Sweden, and Switzerland.
That’s is an entirely different version and a precursor to the one I’m familiar with:
Have a great weekend, folks, and for Fathers’ Day, buy your Dad a big bacon cheeseburger with fries and a pint of stout. He’ll love it, despite what your Mom says about it causing tumors in rats.
From Wiki: Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The [1961] hit instrumental single “Last Night” (composed by the band as a whole) was the first of many successful hits to Nix’s credit. […] The Mar-Keys evolved into Booker T. & the M.G.’s.
What a convergence of talent at the right time and the right place. God Bless Stax Records.
Have a soulful weekend, folks, be back here tomorrow.
Old trick, but it’s a good ‘un. I had one that was similar – the bottles flipped from right side up to upside down using the same basic gaffe (like this). [via here.]
Through much of its history, the studio [Terrytoons] was considered one of the lowest-quality houses in the field, to the point where Paul Terry noted, “Disney is the Tiffany’s in this business, and I am the Woolworth’s.” Terry’s studio had the lowest budgets and was among the slowest to adapt to new technologies such as sound (in about 1930) and Technicolor (in 1938), while its graphic style remained remarkably static for decades. Background music was entrusted to one man, Philip Scheib, and Terry’s refusal to pay royalties for popular songs forced Scheib to compose his own scores. Paul Terry took pride in producing a new cartoon every other week, regardless of the quality of the films.
In keeping with the accidental Double O Theme, here’s one more.
Die Allotria Jazzband ist eine Combo, die 1969 in München gegründet wurde und dem traditionellen Jazz verpflichtet ist. [Allotria translates to Monkey Business.] “Wolverine Blues” was written and recorded by Jelly Roll Morton in 1923.
Two decades later, Fats Waller was playing the same style.
Nice lip-sync of a pretty song. According to the UToobage: “Myra Johnson voiced-over the girl “vocalist” sitting on the piano, who, according to trumpeter Eddie Henderson, is his mother.”
In 1975, over five decades later, Leon Redbone recorded his own version (and this isn’t it. Click the link). Mr. Redbone’s music is meant for eggs and coffee and a side of toast.
