Tag: animation

Saturday Matinee – A.I. – The Carnival of the Ages, LA Priest, The Growlers & Sturgill Simpson’s Sunday Valley

“Where past and future collide in a retro-futuristic spectacle.”
[via Nag On The Lake]

LA Priest (aka Sam Dust, aka Sam Eastgate) found some electrical outlets in the Mexican jungle to play Carribean techno space lounge music.

The Growlers had some fun with a dark subject.

Enough of that oddness. Time for some jaw-dropping high speed electric bluegrass hollerin’ cowpunk, and Sunday Valley fits the bill. The band is defunct, but Sturgill Simpson is still kicking it… somewhere.

Well looky here. It’s the weekend again, so have a great one and we’ll see you back here tomorrow.

 

Saturday Matinee – Edward Sharpe & the Magnetic Zeros, The Contours, and Charles Bradley & His Extraordinaires

Edward Sharpe & the Magnetic Zeros is a bit of an enigma to me. Some songs sound like folk busker music, some seem almost evangelical, and then they morph into a psychedelic jug band. Formed by singer Alex Ebert, the band’s name is based on a story he wrote about a messianic figure named Edward Sharpe.

The Contours should need no introduction, but not according to some of the comments in the Utoobage. The 1962 hit Do You Love Me was written by James Brown and Pee Wee Ellis.

A former James Brown impersonator, Charles Bradley & His Extraordinaires turned up the soul groove with this retro gem from 2014. Great bassline too.

Happy Memorial Day weekend, stay safe in your travels, and we’ll be sitting on the porch as usual if you want to stop by.

Saturday Matinee – A.I. Family Guy Pizza, Hot Club de Piracicaba, Jimmie Vaughan, and Robert Randolph & The Family Band

When you ask A.I. to create a Family Guy pizza commercial you get this.

Hot Club de Piracicaba performs Paganini in Django style.

Guitar great Jimmie Vaughan is still pickin’ the blues at 72.
At 04:12 he says it’s an Eddie Taylor song, but a 1952 Meteor Records 78rpm issue credits Elmore James & James Taub as the writers.

Robert Randolph and The Family Band
“In his adolescent years before being discovered by the secular community, [Randolph] was almost completely unaware of non-religious music. He went on exclaim in an interview that ‘I grew up and saw a lot of older guys playing lap steels and pedal-steel guitars in my church. I had never heard of the Allman Brothers, or even Buddy Guy or Muddy Waters.’ “ [Wiki}

And I had never heard the term sacred steel before today. Have a great weekend, see you back here tomorrow. Bring your laundry.

Saturday Matinee – The Quantum Creep (2007), G.E. Smith, Ally Venable w/ Buddy Guy, and Lonnie Brooks & Sugar Blue w/ the Nicholas Tremulis Orchestra

This is the work of  Billy Blob.
Sundance Film Festival award-winning short Bumble Beeing Part 1 – The Butterfly Effect (2002) has the back story, and Mr. Butterfly later agreed to do a Special Commentary interview.

“I started playing around the age of four, and started getting good at seven.” G.E. Smith is an unpretentious and underrated guitar player with an impressive resume, best known as the pony-tailed bandleader for The Saturday Night Live Band. The song is a cover of Robert Johnson’s 1936 recording of 32-20 Blues, which itself is a remake of Skip Jame’s 22-20 Blues.(1931).

Buddy Guy with Ally Venable (and vice versa) is a killer match up. From Venable’s studio album Real Gone (2023).

Chicago legends Lonnie Brooks and James “Sugar Blue” Whiting jammed with the Nicholas Tremulis Orchestra in 1999.

And that’ll do it for this installment. Have a great weekend and we’ll have a sit down on the back porch tomorrow.

Saturday Matinee – Bill Plympton’s Boney D, Elise LeGrow & Jools Holland and his Rhythm & Blues Orchestra

Boney D. (1996) by Bill Plympton & Jonathan Lee . Better than computer animation, and Plymptoons always made me smile.

Elise LeGrow‘s unusual take on Fontella Bass’ 1965 hit Rescue Me is sultry and sleazy, yet still respectful to the original.

Boogie woogie master Jools Holland and his Rhythm & Blues Orchestra head over to Fat Freddie’s Place. Don’t know who the soloists are in this lineup, but that trumpet player melts it.

Fun times this week, and I’m getting a bit tired of it. See you back here tomorrow and we’ll cook up a big ‘ol pot of drudgery. Have a great weekend.

Saturday Matinee – Guldies, The Howlin’ Brothers & The North Mississippi Allstars

Lots of gloopy in this oddity by Swedish animator Alexander Unger, aka Guldies.

According to their bio, The Howlin’ Brothers sound “like what would happen if a bunch of Appalachian punk rockers formed a jug-band.”
Close enough.

Luther and Cody Dickenson and bassist Chris Chew make up The North Mississippi Allstars. They’ve been around for a while, and crank out some damn fine roots blues and bluegrass, like this cover of Charley Patton’s Mississippi Bo Weevil Blues (1929).

Gonna leave it right there. See you tomorrow.

Saturday Matinee – The World’s Largest Laser Gun, Oorutaichi, The Heavy Heavy, and St. Paul & The Broken Bones

World’s Largest Laser Gun (2018) by Corridor.

Oorutaichi is a “free-form, improvisational electropop artist from Osaka. Inspired by The Doors and The Residents,” he once had a band called Urichipang, and the Utoob description (via Google Translate) doesn’t help much:

PV of “Atlantis” from the album “Giant Club” by Urichipan-gun, which has been well received by UA, Ryuichi Sakamoto, Seiichi Yamamoto, and many other people as one of the masterpieces in J-POP history.

What a laid-back groovy groove. The Heavy Heavy is “a reverb-drenched collision of psychedelia and blues, acid rock and sunshine pop” based in Brighton, UK.

Jake’s and Elwood’s long lost nephew.
Paul Janeway of St. Paul & The Broken Bones nails the Stax/Volt soul sound, while Janelle Issis makes the video even better.

Might get a haircut tomorrow before someone starts calling me “mulletman” – again. See you back here for popcicles and beer.

Saturday Matinee – Universal Everything, Felix Colgrave, Matt “Guitar” Murphy w/ Memphis Slim & Billy Stepney

Transfiguration (2020) by Universal Everything is a remaster from their 2011 original. UE is a global collective of digital artists, architects and engineers, and there’s some very cool CGI animations in their portfolio.

Donks by Felix Colgrave:
“The name comes from a box of miscellaneous plastic objects my child has. Things that are not categorically blocks or figurines or anything describable. I referred to them as ‘gonks’, which was pronounced by my then-2-year-old as ‘donks’. “
[h/t Mme. Jujujive]

Matt “Guitar” Murphy, Memphis Slim & Billy Stepney on Jazz Prisma, Brussels, Belgium (1963).
Regarding Matt Murphy, one UToob commenter summed it up:
“I’ve heard many a fine guitarist mention this guy as a major influence, from Jimmy Page to fellow blues legend Freddie King. He was Howlin Wolf’s lead guitarist before Hubert Sumlin came along, and played with Ike Turner, Buddy Guy, Etta James, Chuck Berry, Sonny Boy Williamson, Otis Rush, and of course the Blues Brothers. Underrated player.”

See you tomorrow. Have a weekend. Bunk out.

Saturday Matinee – Glenn Marshall / Fractal Forest, The Ramones, The Brothers Comatose & Sue Foley

https://youtu.be/-UmBYPy0FFM

AI meets Mandelbrot, and the results are beautiful, serene – and distubing. Computer artistry by Glenn Marshall, based upon a 3D Appolonian fractal animation by Inigo Quilez.

Here’s a palette cleanser. The Ramones.

The Brothers Comatose crank out denim trenchcoat bluegrass.

Think premium leaded Fabulous Thunderbirds with SRV. Sue Foley is an amazing blues rocker out of Austin, Texas.

Got a lot going on these days, and even more to worry about if I really wanted to bother, so maybe I’ll just have fun instead. See you tomorrow.

Saturday Matinee – Cyriak Harris, Hubert Sumlin & Sunnyland Slim, and Scott H. Biram

Cyriak Harris strikes again with a music video for the band Light.
[via Ms. Cellanea].

Hubert Sumlin & Sunnyland Slim (with Willie Dixon on bass & Clifton James on drums) from The Stars of the 1964 American Folk Blues Festival, a German television program. Sonny Boy Williamson II did the introduction.

Scott H. Biram is a one-man ass-kickin’ rock machine. (Reposted from about ten years ago).

I’m yawning, gotta go, see you back here tomorrow.