Tag: cartoon

The .Gif Friday Post No. 907 – Granny Fans Only, A Book of Dreams & An Oddience

[Found here, here and here.]

Tokin’ Toons

[Fun for minutes on end. Found here.]

The .Gif Post No. 856 – The Sentries, A Birdfeeder & Martian Walkers

[Found here, here and here. Added the Curtain Lady to the first one.]

The .Gif Friday Post No. 833 – 6 Puppies Wreathing, Frosty Goes Thumpity & 9 Kittens Sleeping

[Found here, here and here.]

The Christmas that C.H. met A. & the C’s

From the Utoobage:
This collaboration by Los Angeles Blues-Rock band Canned Heat and Chipmunks creator Ross Bagdasarian Sr. was released in November 1968 as the A-side of Liberty 56079 in time for the holiday shopping season. Though some pressings credit Canned Heat & The Chipmunks on both sides of the disc, the 30 i.p.s. rodents are not present on the reverse, “Christmas Blues”.

[h/t Marc “Savage” D. for enlightening me.]

Saturday Matinee – The Quantum Creep (2007), G.E. Smith, Ally Venable w/ Buddy Guy, and Lonnie Brooks & Sugar Blue w/ the Nicholas Tremulis Orchestra

This is the work of  Billy Blob.
Sundance Film Festival award-winning short Bumble Beeing Part 1 – The Butterfly Effect (2002) has the back story, and Mr. Butterfly later agreed to do a Special Commentary interview.

“I started playing around the age of four, and started getting good at seven.” G.E. Smith is an unpretentious and underrated guitar player with an impressive resume, best known as the pony-tailed bandleader for The Saturday Night Live Band. The song is a cover of Robert Johnson’s 1936 recording of 32-20 Blues, which itself is a remake of Skip Jame’s 22-20 Blues.(1931).

Buddy Guy with Ally Venable (and vice versa) is a killer match up. From Venable’s studio album Real Gone (2023).

Chicago legends Lonnie Brooks and James “Sugar Blue” Whiting jammed with the Nicholas Tremulis Orchestra in 1999.

And that’ll do it for this installment. Have a great weekend and we’ll have a sit down on the back porch tomorrow.

Saturday Matinee – Bill Plympton’s Boney D, Elise LeGrow & Jools Holland and his Rhythm & Blues Orchestra

Boney D. (1996) by Bill Plympton & Jonathan Lee . Better than computer animation, and Plymptoons always made me smile.

Elise LeGrow‘s unusual take on Fontella Bass’ 1965 hit Rescue Me is sultry and sleazy, yet still respectful to the original.

Boogie woogie master Jools Holland and his Rhythm & Blues Orchestra head over to Fat Freddie’s Place. Don’t know who the soloists are in this lineup, but that trumpet player melts it.

Fun times this week, and I’m getting a bit tired of it. See you back here tomorrow and we’ll cook up a big ‘ol pot of drudgery. Have a great weekend.

Saturday Matinee – Universal Everything, Felix Colgrave, Matt “Guitar” Murphy w/ Memphis Slim & Billy Stepney

Transfiguration (2020) by Universal Everything is a remaster from their 2011 original. UE is a global collective of digital artists, architects and engineers, and there’s some very cool CGI animations in their portfolio.

Donks by Felix Colgrave:
“The name comes from a box of miscellaneous plastic objects my child has. Things that are not categorically blocks or figurines or anything describable. I referred to them as ‘gonks’, which was pronounced by my then-2-year-old as ‘donks’. “
[h/t Mme. Jujujive]

Matt “Guitar” Murphy, Memphis Slim & Billy Stepney on Jazz Prisma, Brussels, Belgium (1963).
Regarding Matt Murphy, one UToob commenter summed it up:
“I’ve heard many a fine guitarist mention this guy as a major influence, from Jimmy Page to fellow blues legend Freddie King. He was Howlin Wolf’s lead guitarist before Hubert Sumlin came along, and played with Ike Turner, Buddy Guy, Etta James, Chuck Berry, Sonny Boy Williamson, Otis Rush, and of course the Blues Brothers. Underrated player.”

See you tomorrow. Have a weekend. Bunk out.

The .Gif Friday Post No. 723 – Cats are A-Holes, Big Wheeler & The Bean Shark

[Found here, here and here.]

I’m sure it meant something.

From Lustige Blätter 1919.

Funny papers was the title of a German-language satire magazine. After a brief start-up phase in Hamburg, the magazine was published as a weekly newspaper from 1886 to 1944 in Berlin. It was founded and published by the writer Alexander Moszkowski.

[Image found here. Note that there is no Wikipedia entry for  Lustige Blätter in English.]