Manikins, Watermelons & Fireworks: A Deadly Mix

Proof that manikins have no business setting off fireworks. Jump to 01:00 for the splodeys.

Don’t shoot bottle rockets at each other’s eyes or hold exploding M-80s, kids, and definitely don’t lean over a firework that’s going to shoot into the air and explode [via].

They could at least have made it more realistic and scattered some empty beer cans around. Here’s one with an appropriate soundtrack from 2010:

The manikins recovered from their injuries (several times) but they never learn from their mistakes. This one’s from 2009:

[Above videos courtesy of the U.S. Consumer Products Safety Commission.]

Meanwhile, this guy’s got some manikin blood in him.

Yeah, the explosion turned the lights on and changed his shirt, but so what. It’s still a classic.

Be sane tomorrow, and if you can’t manage that, at least be safe.

Saturday Matinee – Big Daddy, Big Daddy and Big Daddy

Big Daddy‘s take on Springsteen’s “Dancing in the Dark” is pure awesome. Check out their mashup of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band – you’ll love it. You might even be able to find a clean download somewhere before it’s gone (hint hint nudge nudge).

Then there’s this Big Daddy I never heard of. Pure brilliance happens within the first 60 seconds. See how long you can stand it before you click on

this. The Big Bad Voodoo Daddy Mugs mug too much, but their music is retrohot.

Nice drivin’ acoustic blues by Big Daddy Wilson, live at the Bluesmoose Café 14 March 2012, featuring
Big Daddy Wilson – vocal & percussion
Roberto Morbioli – Guitar
Detlef Blanke – Bass.

Whoa Mama! There’s a long weekend coming up. Have a great one, and be back here tomorrow if only because we told you to.

Saturday Matinee – LAZAR, Ry Cooder & Black Country Communion

Unusual animation from the 1980s. It reminds me of Terry Gilliam‘s “Brazil” from the same period, and it’s apropos, given yesterday’s #Brexit vote in the UK.

Ry Cooder‘s version of Johnny Cash‘s “Get Rhythm” (from the album of the same name) is introduced by Harry Dean Stanton. Cooder’s swamp rock take of Elvis’ “All Shook Up” is killer.

PeteR recommended Black Country Communion featuring Glenn Hughes, so here he is, there they are, and here we go.

Have a great weekend, folks, and if we’re not rockin’ tomorrow we’ll be rollin’.

Miami Blows.

Miami 16 June 2016

“Dude. GTFO. That’s my spot.” Then it happened. The wind kicked up and Miami started raining furniture.

This is the incredible moment chairs and furniture where whipped into the air by ferociously high winds in Miami. Patio chairs and sun loungers can be seen flying through the sky as the fierce storm scoops them up and flings them from a high rise building in the Floridian city.

[Image & video via here.]

Saturday Matinee – Chet Atkins, Louis Armstrong, Joe MacDonald & The New Orleans Jazz Hounds

Chet Atkins‘ version of the jazz classic “Muskrat Ramble.” This is perfect early morning sunrise roadtrip music. From Wiki:

“Muskrat Ramble” is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group’s most frequently recorded piece.

There’s some dispute over the authorship of the song, as Lil Hardin (pianist, composer, arranger, singer, bandleader, and the 2nd Mrs. Armstrong) may have come up with it and missed out on the credit. According to Sidney Bechet, Hardin merely renamed a song stolen by Kid Ory from Buddy Bolden (“The Old Cow Died and the Old Man Cried”). Eh… I’m not a jazz historian so we’ll leave it at that.

Satchmo in Munich 1962. I love this stuff.

Just a few years later, Joe McDonald stole the same music, renamed it, put words to it and performed it at Woodstock as an anti-Vietnam War protest song. (I didn’t realize until I scanned his bio – McDonald’s parents were communists and he was named after Joseph Stalin. Now it all makes sense.)

Yeah, we all know about the bloodshed that happened after South Vietnam got chumped, Joe, and I bet you never paid any royalties to Ory, Hardin or Armstrong either.

Okay, let’s lighten it up a tad.

Live from Tokyo, it’s The New Orleans Jazz Hounds. Recorded 14 May 2016, it features Kikuchi Haruka, Tamura Makiko, Sato Shingo. I don’t know who plays what, but it’s still a nice tribute.

Have a great weekend, folks. Let’s see what happens tomorrow.

Saturday Matinee: Dancebot, Johnny Cash, Howlin’ Wolf & Joe Bonamassa

Very cool bot moves. Amazing that the people can replicate their own moves, too.

Johnny Cash and Elvis Presley were competitors of sorts during their Sun Studio recording days. Here’s Presley doing Cash.
[Vid found in here.]

That’s Howlin’ Wolf in 1966. The song was a reworking of “Hey Lawdy Mama,” written and performed by Buddy Moss in 1934. Wolf’s version was covered by The Fabulous Thunderbirds and re-titled “Runnin’ Shoes.”

How Many More Years” as covered by Joe Bonamassa in a tribute concert in 2015. Pretty impressive lineup, too:

Bonamassa’s touring band, dubbed the “Muddy Wolf Band” [and] includes Anton Fig (drums), Michael Rhodes (bass), Reese Wynans (piano, Hammond organ), Lee Thornburg (trumpet, horn arrangements), Ron Dziubla (saxophone), Nick Lane (trombone), Mike Henderson (harmonica), and Kirk Fletcher (guitar) [via].

Have a great weekend folks. We’ll have some more fun tomorrow.

 

Saturday Matinee – Horror Cat, Great Beer Run & Gary Clark Jr.

I generally avoid posting cat videos, but this one made me smile. [Found here via here.]

“At a time when the Vietnam War was at its height, one man, John “Chickie” Donohue, snuck back into the war zone to find his 3 closest friends and buy them a beer.”

This guy is probably the only good excuse to get burned up at Coachella. Here’s Gary Clark Jr. cranking some retro blues/rock awesomeness on 16 April 2016.

Have a great weekend folks, see you back here tomorrow for stuff.
____________________

Greetings Feral Irish Fans!

If this is your first time here, have a walkabout; just make sure you leave a trail of breadcrumbs and set the timer, or else click on the “Sampler Plate“at top right. Lot of stuff buried in these archives. We have .gifs every Friday, UToobage every Saturday, and Sundays are often link dumps. –Bunk
____________________

Saturday Matinee – Wagon Train, Tauba Auerbach & Eric Bibb

One of the prettiest theme songs ever, and one of my favorites.
Then the Missus ruined it for me forever by singing this:

Wagons here, wagons there,
There are wagons everywhere;
Some are short, some are long,
And they’re even in this song;

On a ship, on a plane,
You can find them on a train;
This is what we call the Theme to Wagon Train.

Very cool paper sculpture books [via].

How ’bout some country blues? Eric Bibb does it right.

Eric Bibb (vocals, acoustic guitars, baritone guitar, resonator guitar, contra bass guitar, cigar box diddly bow, 6-string banjo & footstomp), Grant Dermody (harmonica), Dirk Powell (fretless banjo, fiddle, mandolin, accordion, upright bass, banjo & harmony vocal), Cedric Watson (fiddles & backing vocals), Danny DeVillier (drums & tambourine), Christine Balfa (cajun triangle).

Aside from the video bloopers and bad cuts, I’d have never guessed so many great ones played on that track.

Have a great weekend, folks, and remember that Memorial Day is not about hot dogs and beer.

Saturday Matinee – Postmodern Jukebox with Morgan James, Herbie Hancock with Miles Davis, & Frank Zappa

Postmodern Jukebox (featuring the amazing vocals of Morgan James) always gets my attention. Nice ’60s kinda sound happens here.

Watermelon Man.” Herbie Hancock teams up with Bill Evans, Al Foster and Miles Davis on his 1962 soul/jazz/funk classic.

One of my favorite Zappa songs, “Black Napkins,” performed on the Mike Douglas Show in 1976. Kinda reflects my mood these days, but I’ll snap out of it. Meanwhile, have a great weekend, and for those of you in the midwest, have fun with the cicadas.

Elie Aghnedes’ Contribution To The World: The 1954 Rhino

Rhino 1954

Rhino 1954 2

Greek-American inventor Elie Aghnides amassed a fortune coming up with clever inventions.

One of his more unusual creations was the “Rhino,” an amphibious four-wheeled vehicle designed to patrol and defend the vast roadless wastes of Alaska and Canada.

Weighing in at five tons, the four-wheel-drive machine could hit speeds of 45 miles per hour on the highway.

Defining features were its massive front wheels, which had six-foot diameters and weighed 1,500 pounds each. Their hollow, hemispherical shape gave the Rhino its unique all-terrain capability. As the vehicle sank into mud, sand, or other soft surfaces, the bearing surface of the ribbed wheels increased, giving it greater traction.

The Rhino’s massive wheels and low center of gravity also meant it could tip 75 degrees to either side without toppling over.

In the water, the hollow wheels provided flotation, while a rear water jet provided propulsion at speeds of about four miles per hour.

The Marmon-Herrington Company of Indianapolis built one prototype of the Rhino for demonstration. The United States military declined to purchase any, reportedly out of concern that the wheels could be punctured by gunfire, sinking the vehicle [via].

Rhino 1954

Not only could it float, it had such a low center of gravity that it was nearly impossible to overturn. Here it is in action:

Elie Aghnides didn’t stop there. He created another prototype amphibious vehicle named “The Cyclops,” but for some reason the prototype construction failed. Aghnides won a $120.5K settlement with The Marmon Group in 1972.

I want one, if only to crash Burning Man without paying.
[Images from here, here and here. Found here.]