“The sale, titled ‘L’Universe des Arts Decoratifs,’ included an array of Art Deco treasures and furnishings. […] François-Xavier Lalanne’s giant duck stood out, especially since it more than doubled its initial estimation of $1.1 million. The sculpture itself is almost five feet tall, and, more notably, stretches to almost seven feet in terms of its length.”
The sale/auction was held in Paris, April 2021 .
Bop Cat Stomp, King Charles & His Orchestra (1954)Except for discography and a few audio recordings on YouTube, I can find almost nothing about Charles Morris (aka King Charles, Blue Charlie Morris, Left Hand Charlie and Morris Charles). If anyone has a link to his background, please leave a comment and I’ll update this post.
Billy Ireland & the KKK. Good stuff (despite some unnecessary extraneous commentary). Nice collection of Ireland’s work here.
Misc. – Still trying to bitchslap the new WP format into something tolerable. It’s almost there, I’m still messing with the unpredictable, and I’m not responsible for the overuse of white space. – Bunk
[Top image found here with the caption: “A female pit brow worker, the photograph was probably taken at the Wigan Coal and Iron Co Ltd.”]
The Byrd Theater in Richmond, VA has played the same PSA before every movie since the early ’80s, and the audience recites every word along with it. From the comments: “Wow, takes me back. the crowd participation was one of the best aspects of this PSA, a whole theatre saying “sssssick!” was amazing.”
According to John Fred & His Playboy Band, Judy had cantaloupe eyes. (The color version of this 1968 promo video was poor quality, so the guy who posted it converted it to black and white.) The song was co-written by baritone sax player Andy Bernard and lead singer John Fred Gourrier, both of Baton Rouge, Louisiana. Bernard pawned some memorabilia on Cajun Pawn Stars (2012, Season 2, Episode 14).
“The Story Teller” Tom T. Hall, best known for Harper Valley PTA, passed away yesterday at the age of 85. R.I.P. to a great songwriter.
A lot of disturbing news flying around these days, but we’ll get past the insanity somehow. Meanwhile have a great weekend, cherish family and friends (except for, um, you know) and we’ll see what happens tomorrow.
GADGET FOR TODAY–Author Lawrence Lipton, chronicler of the beatnik scene, demonstrates his “robot,” Duhab (Detector of Undesirable HABitués). Lipton says robot ferrets out the undesirables – including censors, book-burners.
[…] “The Venice West beat scene was the most promising attempt ever made to bring avant-garde culture to Southern California, and it was murdered by self-righteous, puritanical busy-bodies and hostile police,” he said.
He’s Gone, The Chantels (1957)One of the first R&B “girl groups” to hit the charts, the Chantels were Arlene Smith. Sonia Goring, Lois Harris, Jackie Jackson and Rene Minus, all schoolmates from the Bronx. They had been singing together since 1950 and honed their harmonies practicing hymns (and Gregorian chants). In 1957 they scored their first hit with He’s Gone, written by lead singer Arlene Smith.
“America, for all of its associations with pain and its bloody history, has always been a place of incredible hope and optimism. To be American, and particularly to come from New York City, is to be blessed.” – Eric Bibb
Eric Bibb was interviewed in April 2019 by Charlie Heat at Kensaltown Live. Jump to 01:12 for some stompin’ blues.
Let’s go one more. The Sad Sam Blues Jam features sisters Sadie Johnson (Vocals/Guitar) and Sam Johnson (Bass), with Krista Hess (Vocals/Guitar) and Matt McCarthy (Drums). Sam Motter is the wailin’ sax player. That’s what they sounded like in 2014 while still in high school!
Looks like that’ll do it for now. Gonna see if I can unclog the sidebar widgets that WorpDress arbitrarily farked up, but other than that, have a great weekend and we’ll be back tomorrow with more roughage.