Just in time for Oktoberfest. [h/t Nancy H.]
I’m speechless. I hope Archie McPhee got some royalty bucks from this one [via].
Ten Years After was one of my favorite blues-rock bands before I even knew what blues-rock was. Alvin Lee was killer.
Yeah. This. I never quite knew what the song meant, but I still like it [found here.].
Have a great weekend, folks, beware of liars, & we’ll see you back here tomorrow for stuff.
Jerry Jeff Walker‘s re-recording of “Trashy Women” from 2014. Glad to see he’s still around (even if his rhymes still suck donkeys). Don’t remember him? He first came onto my radar with his cover of one of the greatest beer bar singalong songs ever.
[Bonus clip: Here’s Ray Wylie Hubbard asplainin’ the background story of the song he wrote.]
The Marcus King Band fires all 12 cylinders. Nice style mash IMO.
Rachel Mazer rolls a nice groove, wants me so bad she can’t let it go. (Rachel, get in line and be patient. I’ll get to you in time.)
If you didn’t notice, all three vids are from the same source, Jam In The Van (backed by Turtle Wax). Nice to hear some fresh air.
Have a great weekend, folks. See you back here tomorrow for more fun stuff.
From the Utoobage description:
Laverie Vallee, known better as Charmion, was a Sacramento born trapeze artist who possessed strength and a physique most men would be envious of. However, she was most well known for her risqué striptease performances. The act was incredibly impressive and provocative for the era. One of her greatest fans was Thomas Edison. As a result of that adoration, on November 11, 1901 Charmion committed a simplified version of her act to film for Edison. Charmion eventually retired to Santa Ana, California. She passed away on February 6, 1949 at the age of 73.
[Video found here. It’s silent. Talkies didn’t become commercially viable until the 1920s, so don’t crank up the volume and blow your speakers later.]
The Al Cohn Quartet at the Sanremo Jazz Festival 1987.
Al Cohn (1925-1988) was one of the greatest improvisational jazz saxophonists of all time. Now check this out:
That’s Shaye Cohn, Al Cohn’s granddaughter, playing stride.
Now check THIS out:
Tuba Skinny on Royal Street, New Orleans, April 2013 (covering Bessie Smith‘s “You’ve Got To Give Me Some” 1929).
Current lineup:
Shaye Cohn – Cornet, Piano, Fiddle, Accordion, Banjo & Spoons
Craig Flory – Clarinet & Saxophone
Barnabus Jones – Trombone, Banjo, Fiddle, Guitar, Vocals
Todd Burdick – Tuba
Gregory Sherman – Vocals, Guitar & HarmonicaMax Bien-Kahn – Guitar & Banjo
Jason Lawrence – Banjo & Guitar
Robin Rapuzzi – Washboard & Drum set
Erika Lewis – Vocals & Bass drum
Dang. I’ve been impressed with Shaye Cohn’s stuff for years without knowing her pedigree, and now I know where she got it from. Note how she cues the band while playing.
Have a great weekend, folks, and we’ll do something else tomorrow.
Maddy Bailey takes no offense [via].
Frank Zappa conducted Ravel’s Bolero, one of the most boring compositions ever, but added a Reggae beat. Why not?
The Cadillac Three make some fun noise. Never met ’em, but I grew up with some just like ’em. Good people.
Holy crap! Look at the lineup of that John Lee Hooker backup band!
Have a great weekend, folks. Boogie chillun’.
[Found here and here. The 3rd one I cropped, reversed, spliced, looped and resized from, um, here. Click on any .gif above to hear awesome.]
BTW, this post is kind of a landmark as we’ve been collecting .gif animations and posting three or more every Friday. That means we’ve got about 1,800 cool in our Archives. Have at ’em.
Dano Lancelot covers UB40’s cover of Neil Diamond’s “Red Red Wine“ on steel drum, and it’s real pretty.
On 28 October 1976, 35 year-old Frank Zappa appeared on The Mike Douglas Show to discuss his music and promote his album “Zoot Allures.” Note that Douglas’ show aired in the afternoons and was tailored to stay-at-home moms. Zappa picked an easy one for the studio band: “Black Napkins,” one of my favorite Zappa instrumentals.
“My god. You could base a whole religion around this groove.” -Comment on the UToobage.
Apparently the clip above comes from “My First Name Is Maceo,” a concert/documentary DVD released in 2005.
Maceo Parker– Alto Sax/Vocals
Fred Wesley– Trombone/Vocals
Pee Wee Ellis– Tenor Sax/Vocals
Bruno Speight– Guitar
Jamal Thomas– Drums
Will Boulware– Hammond B-3 Organ
Jerome “Jerry” Preston – Bass Guitar/Vocals
As a bonus, there’s this non sequitur ridiculous awesome.
Have a great weekend, folks.
See you back here tomorrow for, like, you know, stuff.
[Found here.]
Kyoto Tachibana High School Brass Band, November 23, 2017 Rose Parade National Commemorative Parade at Fushimi Osuji Shopping Street.
They memorized the music. They memorized the choreography. They stayed in tune while jumping around and not breaking teeth, and they also stayed in perfect formation. What happens to them in private if they miss a step or crack a note? I’m still impressed [via].
Dušan Kastelic‘s The Box [via]. Reminds me of Lazar.
The Mendes Harmónica Trio blows “Rock Around The Clock.” Check out that double-decker Hohner on the left.
James Cotton (1936-2017) was one of my all time favorite blues harp players. Have at it.
Have a great weekend, folks. Be back tomorrow for stuff.
Found in here. So cute it’ll make you puke.
Yeah, she’s got it down on the uke, but it was garbage even when Elvis sung it. Adult singers are much worse since they should know better, like this FAIL, this FAIL and THIS MAJOR LEAGUE FAIL.
[BTW, Steve Goodman was the guy who co-wrote and recorded the best damn country song ever. He also wrote and recorded the best damn train song ever.]
This song comes to mind as well. Even Mojo Nixon got it and asplained it perfectly over 30 years ago.
Have a great weekend, folks. Be back here tomorrow to see if I’ve been banned from Twitter again.
The Chantays were from Santa Ana, California. The oldest was 17, the youngest 14, when they recorded their 1962 hit “Pipeline” (according to the liner notes on my LP.) I was a kid in the midwest when I first heard it, and I liked it, but I didn’t equate it with surfing. I imagined a rock n’ roll sludge pump.
According to Wiki, the Chantays originally called the song “Liberty’s Whip” but I have my doubts.
A year later, The Ventures co-opted the classic. Not sure if royalties were paid but their version didn’t make Billboard’s Top 100.
Johnny Thunders‘ (nee New York Dolls) take was kinda different. Clip is apparently from here, circa 1989(?).
Jimmy Vaughan taught his brother guitar IIRC, and SRV took it from there. Video above from New Orleans 1987.
Jimmy Vaughan is an unsung guitar hero IMO.
Have a great weekend, folks. Be back here tomorrow for more awesome than any human being can possibly handle.
Tacky Raccoons 