
Is that Edith Bunker? Lady’s got some serious knuckles.
[Found here. Related posts here.]

Electric eel leaping out of a tank to shock a fake alligator head [via].
Woman from San Diego has been banned from visiting over 21% of America.
Riding the Strandbeest bike [via].
Classic P.J. O’Rourke heresy. (Don’t get any ideas, kids.)
PNBHS Haka for Mr. Tamatea’s Funeral Service is still an excellent tribute.
“100 Years” is a movie scheduled for release in 2115. The idea is to purchase metal tickets and pass them on to your descendants.
“…We can be rich in cotton and mining metals, and silk worms, and we can make things, things cars, the machine can make it for us; and we can have the community, and city, in San Francisco; and we can make things and put them in the store. On the East Coast they have slaves and believe in slavery and made in China…” She has it all figured out.
Big Daddy‘s take on Springsteen’s “Dancing in the Dark” is pure awesome. Check out their mashup of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band – you’ll love it. You might even be able to find a clean download somewhere before it’s gone (hint hint nudge nudge).
Then there’s this Big Daddy I never heard of. Pure brilliance happens within the first 60 seconds. See how long you can stand it before you click on
this. The Big Bad Voodoo Daddy Mugs mug too much, but their music is retrohot.
Nice drivin’ acoustic blues by Big Daddy Wilson, live at the Bluesmoose Café 14 March 2012, featuring
Big Daddy Wilson – vocal & percussion
Roberto Morbioli – Guitar
Detlef Blanke – Bass.
Whoa Mama! There’s a long weekend coming up. Have a great one, and be back here tomorrow if only because we told you to.

I wanna be the Sumpy.
I don’t wanna be the Bobo.
Interview with Ian Herring. The guy is a “colourist,” enhances comic books by coloring the graphics. His website is kinda cool, too.
“Hey, Dad. Can I have your jeans?” Denim jeans or jackets manufactured before 1980 are a hot ticket for collectors. Wow.
Milo Yiannopoulos, Christina Hoff Sommers and Steven Crowder: Intolerant jerks disrupt an otherwise civil forum. Long clip, starts out kinda jumpy. [NSFW, NSFK, foul language with subtitles.]
Want to learn tattooing but your girlfriend won’t let you practice on her? Make your ink mistakes on a Pound Of Flesh instead.
World’s 1st prosthetic arm designed for a tattoo artist is pure steampunk.
“Hinky Dinky Parley-Voo” was a popular song post-WWI.
[Top image: She worked in vaudeville, radio, film and on Broadway. She played Daisy Moses in a popular TV show. Guess before you click.]
Chet Atkins‘ version of the jazz classic “Muskrat Ramble.” This is perfect early morning sunrise roadtrip music. From Wiki:
“Muskrat Ramble” is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group’s most frequently recorded piece.
There’s some dispute over the authorship of the song, as Lil Hardin (pianist, composer, arranger, singer, bandleader, and the 2nd Mrs. Armstrong) may have come up with it and missed out on the credit. According to Sidney Bechet, Hardin merely renamed a song stolen by Kid Ory from Buddy Bolden (“The Old Cow Died and the Old Man Cried”). Eh… I’m not a jazz historian so we’ll leave it at that.
Satchmo in Munich 1962. I love this stuff.
Just a few years later, Joe McDonald stole the same music, renamed it, put words to it and performed it at Woodstock as an anti-Vietnam War protest song. (I didn’t realize until I scanned his bio – McDonald’s parents were communists and he was named after Joseph Stalin. Now it all makes sense.)
Yeah, we all know about the bloodshed that happened after South Vietnam got chumped, Joe, and I bet you never paid any royalties to Ory, Hardin or Armstrong either.
Okay, let’s lighten it up a tad.
Live from Tokyo, it’s The New Orleans Jazz Hounds. Recorded 14 May 2016, it features Kikuchi Haruka, Tamura Makiko, Sato Shingo. I don’t know who plays what, but it’s still a nice tribute.
Have a great weekend, folks. Let’s see what happens tomorrow.

He meant to do that. Stunt pilots Lt. Ormer “Lock” Locklear and co-pilot Milton “Skeets” Elliot were filming The Skywayman, a silent movie released in 1920, and crashing the church steeple was part of the script.
From Wiki:
Principal photography on The Skywayman began on June 11, 1920, with DeMille Field 2 as the main base of operations. Despite Locklear’s public claim that new stunts “more daring ever filmed” would be involved, the production would rely heavily on models and less on actual stunt flying. Two stunts, a church steeple being toppled by Locklear’s aircraft and an aircraft-to-train transfer were both problematic and nearly ended in disaster.
Their final stunt did end in disaster, a nighttime dive that killed both Locklear and Elliot instantly when they didn’t pull up in time.
[Image found here.]