


[Found here and here. The 2nd was sliced and diced from here.]

[Found here.]

“And so I say to you today that I still stand by nonviolence. And I am still convinced that it is the most potent weapon available to the Negro in his struggle for justice in this country. And the other thing is that I am concerned about a better world. I’m concerned about justice. I’m concerned about brotherhood. I’m concerned about truth. And when one is concerned about these, he can never advocate violence. For through violence you may murder a murderer but you can’t murder. Through violence you may murder a liar but you can’t establish truth. Through violence you may murder a hater, but you can’t murder hate. Darkness cannot put out darkness. Only light can do that.”
Martin Luther King, Jr.
Southern Christian Leadership Conference
Atlanta, Georgia
16 August 1967
[Image source: Martin Luther King and the Montgomery Story (1958). Excerpted quote found here.]

Ain’t Misbehavin’, Django Reinhardt & Stéphane Grappelli (1937) Founded by Grappelli (violin) & Reinhardt (guitar) in 1934, Le Quintette du Hot Club de France included Louis Vola (double bass), Joseph “Nin-Nin” Reinhardt (rhythm guitar) and Roger Chaput (rhythm guitar). Ain’t Misbehavin‘ was co-written and first recorded by Thomas “Fats” Waller in 1929 for the comedy musical Connie’s Hot Chocolates.
More cool woodcuts by Brian Reedy.
“Uber’s arrived, luv.” [via Bunkerville].
Driving on clear ice [via Mme. Jujujive].
The Corvelotubraguar, aka The Daedalus.
Seeing the Digital Future (confusion in 1961).
Making a sea monster [via Memo Of The Air].
Brünnhilde is in the Library of Congress. Twice.
How the CIA weaponized art against the Soviets.
[Top image: Wallmartmuppet found here.]
From the Archives: 1 year ago. 5 years ago. 10 years ago.
Cyriak Harris strikes again with a music video for the band Light.
[via Ms. Cellanea].
Hubert Sumlin & Sunnyland Slim (with Willie Dixon on bass & Clifton James on drums) from The Stars of the 1964 American Folk Blues Festival, a German television program. Sonny Boy Williamson II did the introduction.
Scott H. Biram is a one-man ass-kickin’ rock machine. (Reposted from about ten years ago).
I’m yawning, gotta go, see you back here tomorrow.

[Found here.]

Woodcuts by artist Brian Reedy found here via here.
I added the last one to the bottom of the right sidebar; I meant to do it months ago when I first saw it. [h/t Sol R. Land]