
“The Poop House. Shut up.”
[Found here; h/t Nate L.]
Just Wailin’, Louie Myers & the Aces (1956) Originally titled Just Whaling on Chicago’s ABCO Records. The Aces were also known as the Chicago Aces, the Four Aces, the Three Deuces, the Three Dukes, and the Jukes, depending who they were backing. The prolific session group was comprised of brothers Louis and Dave Myers and Fred Below [BEE-low] and backed many great Chicago blues artists.
Hatin’ on the brush.
[h/t Mme. Jujujive]
Samuel Rowbotham, proto-troll.
37 years ago four men saved NYC.
[h/t Nate L.]
More from the Streets of Philly, and why some are hunched over.
“Me showing Hurricane Irma all the memes we made about her.”
Then somebody said, “Let’s use ‘by the beard of the prophet’ because that’s what Muslims say.”
[Top image of tactical plaid mom found here, story here.]
From the Archives: 1 year ago. 5 years ago. 10 years ago.
[All found via Reddit.]

Photograph by Nicolas Gayet of the Paulo Bonifacio lab was a 2015 FEI contest winner.
Polychaetes worms are fascinating. One species are called “Zombie Worms” and includes the Osedax mucofloris, discovered in 2005. Its name translates to “bone-eating snot flower.”
[Image found here.]
Boston Dynamics did it again – and that’s not a typo in the title – the robot is named Spot.
Straight from the Caribbean Osnabrück, Mr. Hurley & Die Pulveraffen (the Powder Monkeys) are German “grogstars” playing Irish melodies with a rock pirate theme. (A powder monkey’s job was to bring black powder to the ship’s cannons.) Yo ho and shalalala.
The SIDH is an Italian band that plays electro Celtic metal bagpipe club music; 2018 band interview here.
Iain Marr – whistle player/piper
Federico Melato- keyboards and percussion
Michael Subet – bass
Salvatore Pagliaro – electric & acoustic guitar
[h/t Mme. Jujujive]
It’s that time of year when we set our calendars back, so have a great three day weekend and we’ll see you here tomorrow.
[All images found around in here. Click for larger.]

Erasure- Art inspiration: Zhang Huan (Chinese, born Anyang, 1965). Family Tree, 2001. China.
A series of nine photographs in which the artist Zhang Huan’s face gradually becomes covered in ink and traditional calligraphy.
The text on the artist’s face consists of words, names, and stories related to his cultural heritage—words with personal meaning to him. The dots on his face in the first photograph represent moles and their connection to one’s fate. In Chinese cultures, it is said that having moles in certain areas on the face symbolizes good luck and fortune.
By the last picture, Huan’s face is completely covered in ink. Though the words on his face are about his character and fate, they ultimately obscure his entire identity. The piece seems to say that traditional words and ways of thinking can erase the things that make us individuals.
[Image and description found here.]
Updated: Corrected spelling of performance artist’s name Zhang Huan & added link: https://www.theartstory.org/artist/zhang-huan/