Syncopated Polyrhythmic Hot Links

Mark Twain’s study was designed to simulate the pilot house of a Mississippi steamboat.

Rogue Punctuation Nazi strikes after-hours in Bristol, England. He specializes in fixing apostrophe errors on business signs.

Need a Computer Science paper at the last minute? This generator is for you.

I knew that rebooting and hitting F8 gets you into safe mode for trouble shooting. Here’s what the other keyboard function keys do.

The Frog Survey Letter” went viral a couple years ago.

Never heard of Hooverball? Now you have.

Click “play.”

Like early jazz? You’ll love this free download of 1920s recordings. It’s six hours of syncopated awesome.

[Top image found here.]

Saturday Matinee – Chuck Barris & Eugene Patton, Count Basie & America Paz

Yeah, we lost another famous Chuck this week. Here’s Chuck Barris on The Gong Show featuring the late Eugene Patton, aka, Gene Gene The Dancing Machine. (If you thought I was going to post vids of The Unknown Comic, you’re mistaken, but here’s a link instead.)

GGTDM’s themesong was always Count Basie‘s 1938 hit “Jumpin’ At The Woodside,” so let’s go there. Here’s Basie’s Orchestra playing their 1937 hit “One O’Clock Jump” six years later in the movie Reveille with Beverly.

That 1943 Basie lineup likely included Buck Clayton, Harry “Sweets” Edison, Snooky Young, trumpet; Dicky Wells, trombone; Earle Warren, Buddy Tate, Don Byas, Jack Washington, saxes; Freddie Green, guitar; Jo Jones, drums. Not sure who’s on bass.

This Funk Bass Slapfest is awesome, and the girl’s smacking a six-string. I’m guessing that this how Julliard students settle their differences and go busking at the same time.

OH WAIT! THAT’S AMERICA PAZ!

Very impressive, Ms. America.

Have a great weekend, folks. We’ll see you tomorrow.

Saturday Matinee – Crater Face, Postmodern Jukebox, Gunhild Carling & The Best Moth Joke You’ve Ever Heard

Crater Face” is an animated short about two lonely moon pimples and a deranged astronaut (by Skyler Page).

Awesome RickRoll by Postmodern Jukebox on the RMS Queen Mary in 2016, featuring Gunhild Carling on vocals, trumpet, recorder, trombone & bagpipes. Really.

BUT WAIT! THERE’S MORE!

I knew a guy who could play two saxes at the same time (with rubber bands holding down a couple of keys) and I can believe that someone might be able play two trumpets simultaneously, but three? Had there not been a video I’d have never believed it.

The song is “El Manisero  (aka “The Peanut Vendor) and it dates to 1930s Cuba. Stan Kenton’s version is my favorite because of all the discordant stuff that he worked into it.

Classic Norm MacDonald delivery.

Have a great holiday weekend, folks. Enjoy the leftovers while you can, and don’t EVEN try to retell that moth joke because you’ll fail miserably.

 

Saturday Matinee – Brazil, The Olympics, Jackie Phelps & Jimmy Riddle, and Tuba Skinny

I was looking for a live performance of “Brazil” (perhaps by Xavier Cugat) to commemorate the Competitions of the Grecian Gods, but instead we must settle for The Theme Song to Terry Gilliam’s Brazil as performed by Geoffrey Muldaur. He was famous for marrying Maria Grazia Rosa Domenica D’Amato who recorded some popular songs in 1973 about putting camels to bed, and another one about feeling her leg.

There’s no live performance for that one, so I looked for some more Olympics-themed stuff.

The Olympics sound a lot like another Lieber & Stoller product to me, but so what.

Yep. There be the Olympians of Eefin’ and Hambone, Jimmy Riddle & Jackie Phelps.

Let’s go back to Maria Grazia Rosa Domenica D’Amato (aka Maria Muldaur) and the leg feeling stuff. What a sultry voice.

This version by Tuba Skinny is a bit closer to Blue Lu Barker’s 1946 original.

Have a great weekend, folks, and we’ll be back tomorrow with more stuff that’s too hot to handle and too cold to hold.

Saturday Matinee – Chet Atkins, Louis Armstrong, Joe MacDonald & The New Orleans Jazz Hounds

Chet Atkins‘ version of the jazz classic “Muskrat Ramble.” This is perfect early morning sunrise roadtrip music. From Wiki:

“Muskrat Ramble” is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group’s most frequently recorded piece.

There’s some dispute over the authorship of the song, as Lil Hardin (pianist, composer, arranger, singer, bandleader, and the 2nd Mrs. Armstrong) may have come up with it and missed out on the credit. According to Sidney Bechet, Hardin merely renamed a song stolen by Kid Ory from Buddy Bolden (“The Old Cow Died and the Old Man Cried”). Eh… I’m not a jazz historian so we’ll leave it at that.

Satchmo in Munich 1962. I love this stuff.

Just a few years later, Joe McDonald stole the same music, renamed it, put words to it and performed it at Woodstock as an anti-Vietnam War protest song. (I didn’t realize until I scanned his bio – McDonald’s parents were communists and he was named after Joseph Stalin. Now it all makes sense.)

Yeah, we all know about the bloodshed that happened after South Vietnam got chumped, Joe, and I bet you never paid any royalties to Ory, Hardin or Armstrong either.

Okay, let’s lighten it up a tad.

Live from Tokyo, it’s The New Orleans Jazz Hounds. Recorded 14 May 2016, it features Kikuchi Haruka, Tamura Makiko, Sato Shingo. I don’t know who plays what, but it’s still a nice tribute.

Have a great weekend, folks. Let’s see what happens tomorrow.

Saturday Matinee – Postmodern Jukebox with Morgan James, Herbie Hancock with Miles Davis, & Frank Zappa

Postmodern Jukebox (featuring the amazing vocals of Morgan James) always gets my attention. Nice ’60s kinda sound happens here.

Watermelon Man.” Herbie Hancock teams up with Bill Evans, Al Foster and Miles Davis on his 1962 soul/jazz/funk classic.

One of my favorite Zappa songs, “Black Napkins,” performed on the Mike Douglas Show in 1976. Kinda reflects my mood these days, but I’ll snap out of it. Meanwhile, have a great weekend, and for those of you in the midwest, have fun with the cicadas.

Saturday Matinee – Louis in the Studio, Kid Ory & Trombone Shorty

This exclusive video depicts Armstrong and his All Stars recording the master take of “I Ain’t Got Nobody,” as well as silent footage of them listening to the playback. Also featured in the clip are Trummy Young, trombone, Peanuts Hucko, clarinet, Billy Kyle, piano, Mort Herbert, bass and Danny Barcelona, drums.

I always thought Kid Ory came out of King Oliver’s Creole Jazz Band (along with Johnny Dodds, Baby Dodds and Louis Armstrong) but according to Wiki:

Ory had one of the best-known bands in New Orleans in the 1910s, hiring many of the great jazz musicians of the city, including cornetists Joe “King” Oliver, Mutt Carey, and Louis Armstrong, who joined the band in 1919; and clarinetists Johnny Dodds and Jimmie Noone.

So how ’bout some more in the same vein? Trombone Shorty’s tribute to Louis Armstrong ain’t bad, and he’s got one hell of a breathing trick.

[Confidential to Calo – That one’s for you. Condolences.]

Have a great weekend, folks, and be back here tomorrow for more, you know, stuff.

 

Street DJ with Gramophone, London ca. 1920

London DJ 1920

Free Bird? I don’t think I have that one, but I got Wang Wang Blues.”

[Found here.]

The Saturday Matinee – Capuchin Monkeys, The Cramps, The Two Man Gentlemen Band & Tuba Skinny

This clip from Frans de Waal’s TED presentation amuses me (and I may have posted it previously).

The Cramps were a product of the legendary 1970s CBGB NY punk scene, as were these folks:

Okay I lied. The Two Man Gentlemen Band never played at CBGBs (which stood for Country, Blue Grass & Blues in case you didn’t know). Let’s go for one more.

Tuba Skinny is a modern day traditional classic.

Have a great weekend, folks, and we’ll be back tomorrow, rain or shine.

Saturday Matinee – Saving Daylight Trailer, Caifanes, The Iguanas & Tito Puente

Saving Daylight – The Movie.  [via].

The guy that brings our mail and kills the rats in our building showed up today wearing a baseball jersey with Los Caifanes logo on it, so I asked him about it, and he told me. They remind me a bit of these guys:

Although it’s real bad advice, “Oye, Isabel” is one of The Iguanas‘ catchiest tunes. Okay, let’s go for one more, and since we’re on a latino music kick tonight, here’s some addictive Mambo rhythms from Tito Puente.

Have a great weekend, folks, and we’ll see you back here on Sunday.